Pediments in the context of "Philippe Joseph Henri Lemaire"

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⭐ Core Definition: Pediments

Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns. In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances.

The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face.

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Pediments in the context of Portico

A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures.

Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house.

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Pediments in the context of Temperate House, Kew Gardens

The Temperate House, opened in May 1863, is a Grade I-listed showhouse for the largest plants in Kew Royal Botanic Gardens. Rectangular, with pitched roofs, its pillars support wrought-iron ribs. Decimus Burton and Irish engineer, Richard Turner, the designers, gave the House a mix of decorative motifs, finials, pediments, acanthus leaf capitals, Coade stone urns and statues. According to Greg Redwood, Kew's head of glasshouses, "The effect is similar to the contemporary iron pier pavilions of Eugenius Birch."

Although construction began in 1860, it would not be completed until 1899. It was positioned to be the first feature visitors saw as they entered the gates with the anticipated coming of the first railway station at Kew expected to be at the end of the adjacent avenue. However, Kew Gardens rail station was built 500 yards to the north, leaving the glasshouse "somewhat stranded in the landscape".

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