Pathé in the context of "Gaston Velle"

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👉 Pathé in the context of Gaston Velle

Gaston Velle (1868–1953) was a French silent film director and pioneer of special effects, who was prominent in early French and Italian cinema during the first two decades of the 20th century. Like his father, the Hungarian entertainer Joseph "Professor" Velle, Gaston began his career as a travelling magician, before putting his illusionist skills to work in cinema and ultimately creating more than fifty films between 1903 and 1911. He worked under Auguste and Louis Lumière, before serving as the head of production for the Italian film studio Cines. But he is best remembered for his work at Pathé, where he was hired to produce trick films that might rival those of his contemporary, Georges Méliès, including classic shorts like Burglars at Work (1904). Some films pioneered lasting techniques, such as his Les Invisibles (1906) – the first known invisible man film.

Velle also created some of the first féerie films, such as tit-for-tat (1906). Additionally, Velle collaborated with other directors such as Segundo de Chomon and Ferdinand Zecca to create such silent film classics as the Moon Lover (1905), the Raja's Casket (1906), and the Hen that Laid the Golden Egg (1905), the latter of which was featured in the 1997 Martin Scorsese film, Kundun.

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Pathé in the context of Gaumont Film Company

Gaumont SA (French: [ɡomɔ̃]) is a French film and television production and distribution company headquartered in Neuilly-sur-Seine, France. Founded by the engineer-turned-inventor Léon Gaumont (1864–1946) in 1895, it is the oldest extant film company in the world, established before other studios such as Pathé (founded in 1896), Titanus (1904), Nordisk Film (1906), Universal, Paramount, and Nikkatsu (all founded in 1912).

Gaumont predominantly produces, co-produces, and distributes films, and in 2011, 95% of Gaumont's consolidated revenues came from the film division. The company is also a producer of TV series through Gaumont Télévision and animation through Gaumont Animation as well as its existing French production features. Gaumont is run by Nicolas Seydoux (chairman) and Sidonie Dumas (CEO).

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Pathé in the context of 127 Hours

127 Hours is a 2010 biographical drama film co-written, produced, and directed by Danny Boyle. The film mainly stars James Franco, with Kate Mara, Amber Tamblyn, and Clémence Poésy appearing in brief supporting roles. In the film, canyoneer Aron Ralston must find a way to escape after he gets trapped by a boulder in an isolated slot canyon in Bluejohn Canyon, southeastern Utah, in April 2003. It is a British and American venture produced by Pathé, Everest Entertainment, Film4 Productions, HandMade Films and Cloud Eight Films.

The film, based on Ralston's memoir Between a Rock and a Hard Place (2004), was written by Boyle and Simon Beaufoy, co-produced by Christian Colson and John Smithson, and scored by A. R. Rahman. Beaufoy, Colson, and Rahman had all previously worked with Boyle on Slumdog Millionaire (2008). 127 Hours premiered at the Telluride Film Festival on 4 September 2010, and was released in the United States on 5 November 2010 and in the United Kingdom on 7 January 2011. It was acclaimed by critics and audiences and grossed $60.7 million worldwide. It was selected by the American Film Institute as one of the top 10 films of 2010 and was nominated for six Academy Awards, including Best Actor for Franco and Best Picture. The film also received nominations for eight British Academy Film Awards and three Golden Globe Awards.

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Pathé in the context of Universal Pictures

Universal City Studios LLC, doing business as Universal Pictures (also known as Universal Studios or simply Universal), is an American film production and distribution company headquartered at the Universal Studios complex in Universal City, California. It serves as the flagship studio of Universal Filmed Entertainment Group, the film studio arm of NBCUniversal, which is a subsidiary of Comcast.

Founded on April 30, 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour, Universal is the oldest surviving film studio in the United States and the fifth oldest globally after Gaumont, Pathé, Titanus and Nordisk Film, and is one of the "Big Five" film studios. Woody Woodpecker, a character created by Walter Lantz, serves as the company's mascot.

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Pathé in the context of Tuschinski Theatre

The Koninklijk Theater Tuschinski (English: Royal Theatre Tuschinski) also called Pathé Tuchinski, is a movie theatre in Amsterdam, Netherlands, near Rembrandtplein and belonging to the historic French group Pathé.

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Pathé in the context of Suffragette (film)

Suffragette is a 2015 historical drama film about women's suffrage in the United Kingdom, directed by Sarah Gavron and written by Abi Morgan. The film stars Carey Mulligan, Helena Bonham Carter, Brendan Gleeson, Anne-Marie Duff, Ben Whishaw, and Meryl Streep.

Filming began on 24 February, 2014. It is the first feature film to be shot in the Houses of Parliament. The film was released in the United Kingdom on 12 October, 2015 by the French film company Pathé through its British distributor 20th Century Fox. Originally scheduled to be released by Relativity Media, the film was ultimately released in a limited release in North America on 23 October, 2015 by Focus Features.

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Pathé in the context of 9.5 mm film

9.5 mm film is an amateur film format introduced by Pathé in 1922 as part of the Pathé Baby amateur film system. It was conceived initially as an inexpensive format to provide copies of commercially made films to home users, although a simple camera was released shortly afterwards.

It became very popular in Europe over the next few decades and is still used by a small number of enthusiasts today. Over 300,000 projectors were produced and sold mainly in France and England, and many commercial features were available in the format.

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Pathé in the context of Adventures of Superman (TV series)

Adventures of Superman is an American superhero television series based on comic book characters and concepts that Jerry Siegel and Joe Shuster created in 1938. The show was the first television series to feature Superman and began filming in 1951 in California on RKO-Pathé stages and the RKO Forty Acres back lot. Cereal manufacturer Kellogg's sponsored the show. The first and last airdates of the show, which was produced for first-run syndication rather than for a network, are disputed, but they are generally accepted as September 19, 1952, and April 28, 1958. The show's first two seasons (episodes 1–52, 26 titles per season) were filmed in black-and-white; seasons three to six (episodes 53–104, 13 titles per season) were filmed in color, but were originally telecast in black-and-white. Adventures of Superman was not shown in color until 1965, when the series was syndicated to local stations.

George Reeves played Superman, with Jack Larson as Jimmy Olsen, John Hamilton as Perry White, and Robert Shayne as Inspector Henderson. Phyllis Coates played Lois Lane in the first season, with Noel Neill, who had previously played Lois in the film serials Superman (1948) and Atom Man vs. Superman (1950), taking over starting with the second season. In the series, Superman battles crooks, gangsters, and other villains in the city of Metropolis while masquerading "off duty" as Daily Planet reporter Clark Kent. In most of the series' episodes, Lois Lane and Jimmy Olsen, Clark's colleagues in the office, find themselves in dangerous situations that only Superman's timely intervention can resolve.

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Pathé in the context of Germaine Dulac

Germaine Dulac (French: [dylak]; born Charlotte Elisabeth Germaine Saisset-Schneider; 17 November 1882 – 20 July 1942) was a French filmmaker, film theorist, journalist and critic. She was born in Amiens and moved to Paris in early childhood. A few years after her marriage she embarked on a journalistic career in a feminist magazine, and later became interested in film. With the help of her husband and friend she founded a film company and directed a few commercial works before slowly moving into Impressionist and Surrealist territory. She is best known today for her Impressionist film, La Souriante Madame Beudet (The Smiling Madam Beudet, 1922/23), and her Surrealist experiment, La Coquille et le Clergyman (The Seashell and the Clergyman, 1928). Her career as filmmaker suffered after the introduction of sound film and she spent the last decade of her life working on newsreels for Pathé and Gaumont.

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Pathé in the context of Cinema of France

The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia.

The Lumière brothers launched cinematography in 1895 with their L'Arrivée d'un train en gare de La Ciotat. By the early 1900s, French cinema led globally, with pioneers like Méliès creating cinematic techniques and the first sci-fi film, A Trip to the Moon (1902). Studios like Pathé and Gaumont dominated, with Alice Guy-Blaché directing hundreds of films. Post-WWI, French cinema declined as U.S. films flooded Europe, leading to import quotas. Between the wars, directors like Jean Renoir, Jean Vigo and Marcel Carné shaped French Poetic Realism. Renoir’s La Règle du Jeu (1939) and Carné’s Les Enfants du Paradis (1945) remain iconic, showcasing innovation despite war challenges.

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