Paris Métro entrances by Hector Guimard in the context of Avenue de Wagram


Paris Métro entrances by Hector Guimard in the context of Avenue de Wagram

⭐ Core Definition: Paris Métro entrances by Hector Guimard

Between 1900 and 1913, Hector Guimard was responsible for the first generation of entrances to the underground stations of the Paris Métro. His Art Nouveau designs in cast iron and glass dating mostly to 1900, and the associated lettering that he also designed, created what became known as the Métro style (style Métro) and popularized Art Nouveau. However, arbiters of style were scandalized and the public was also less enamored of his more elaborate entrances. In 1904 his design for the Opéra station at Place de l'Opéra was rejected and his association with the Métro ended; many of his station entrances have been demolished, including all three of the pavilion type (at Bastille and on Avenue de Wagram at Étoile). Those that remain are now all protected historical monuments, one has been reconstituted, and some originals and replicas also survive outside France.

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Paris Métro entrances by Hector Guimard in the context of Paris Métro

The Paris Métro, short for Métropolitain, is a rapid transit system serving the Paris metropolitan area in France. A symbol of the city, it is known for its density within the capital's territorial limits, as well as its uniform architecture and historical entrances influenced by Art Nouveau. The system is 245.6 kilometres (152.6 mi) long, mostly underground, as well as its 321 stations of which 61 allow the riders to transfer between the sixteen lines (with an additional four under construction and one in project), all numbered 1 to 14, with two extra branches, 3bis and 7bis, named such as they are former parts of Lines 3 and 7 respectively. Three of these lines (1, 4 and 14) are fully automated, and the additional four are also planned as such. Lines are identified on maps by an individual number and an associated specific colour, all part of an official palette, with the traveling direction indicated by the terminus, the last stop on each line. All trains travel from one end of the line to the other, serving every station along the way. The Paris Métro is operated by the Régie autonome des transports parisiens (RATP), which also operates part of the RER (commuter standard train) network, most of the Francilian light rail lines and many bus routes around and within Paris itself.

It is the second-busiest metro system in Europe, as well as the twelfth-busiest in the world. It carried 1.476 billion passengers in 2024, roughly 4.04 million passengers a day, which makes it the most used public transport system in Paris. It is one of the densest metro systems in the world, with 244 stations within the 105.4 km (41 sq mi) of the City of Paris. Châtelet–Les Halles, with five Métro and three RER commuter rail lines, is one of the world's largest metro stations. The system generally has poor accessibility due to its old age (established 125 years ago) and because most of the current infrastructure was built before accessibility standards emerged, with few stations retrofitted since. On the flip side, all new infrastructure and rolling stock meets current accessiblity standards, including extensions of historic lines.

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Paris Métro entrances by Hector Guimard in the context of Hector Guimard

Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ]; 10 March 1867 – 20 May 1942) was a French architect and designer prominent for his Art Nouveau style designs including Paris Métro entrances. He achieved early fame with his design for the Castel Béranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron edicules or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Métro.

Between 1890 and 1930, Guimard designed and built some 50 buildings, in addition to 141 subway entrances for the Paris Métro, as well as numerous pieces of furniture and other decorative works. However, in the 1910s Art Nouveau went out of fashion and by the 1960s most of his works had been demolished, and only two of his original Métro édicules were still in place. Guimard's critical reputation revived in the 1960s, in part due to subsequent acquisitions of his work by the Museum of Modern Art, and art historians have noted the originality and importance of his architectural and decorative works. Guimard was a disciple of Viollet-le-Duc.

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Paris Métro entrances by Hector Guimard in the context of Paris Metro

The Paris Métro, short for Métropolitain, is a rapid transit system serving the Paris metropolitan area in France. A symbol of the city, it is known for its density within the capital's territorial limits, as well as its uniform architecture and historical entrances influenced by Art Nouveau. The system is 245.6 kilometres (152.6 mi) long, mostly underground, as well as its 321 stations of which 61 allow the riders to transfer between the sixteen lines (with an additional four under construction and one in project), all numbered 1 to 14, with two extra branches, 3bis and 7bis, named such as they are former parts of Lines 3 and 7 respectively. Three of these lines (1, 4 and 14) are fully automated, and the additional four are also planned as such. Lines are identified on maps by an individual number and an associated specific colour, all part of an official palette, with the traveling direction indicated by the terminus, the last stop on each line. All trains travel from one end of the line to the other, serving every station along the way. The Paris Métro is operated by the Régie autonome des transports parisiens (RATP), which also operates part of the RER (commuter standard train) network, most of the Francilian tram lines and many bus routes around and within Paris itself.

It is the second-busiest metro system in Europe, as well as the twelfth-busiest in the world. It carried 1.476 billion passengers in 2024, roughly 4.04 million passengers a day, which makes it the most used public transport system in Paris. It is one of the densest metro systems in the world, with 244 stations within the 105.4 km (41 sq mi) of the City of Paris. Châtelet–Les Halles, with five Métro and three RER commuter rail lines, is one of the world's largest metro stations. The system generally has poor accessibility due to its old age (established 125 years ago) and because most of the current infrastructure was built before accessibility standards emerged, with few stations retrofitted since. On the flip side, all new infrastructure and rolling stock meets current accessiblity standards, including extensions of historic lines.

View the full Wikipedia page for Paris Metro
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