Paris Metro in the context of Tramways in Île-de-France


Paris Metro in the context of Tramways in Île-de-France

⭐ Core Definition: Paris Metro

The Paris Métro, short for Métropolitain, is a rapid transit system serving the Paris metropolitan area in France. A symbol of the city, it is known for its density within the capital's territorial limits, as well as its uniform architecture and historical entrances influenced by Art Nouveau. The system is 245.6 kilometres (152.6 mi) long, mostly underground, as well as its 321 stations of which 61 allow the riders to transfer between the sixteen lines (with an additional four under construction and one in project), all numbered 1 to 14, with two extra branches, 3bis and 7bis, named such as they are former parts of Lines 3 and 7 respectively. Three of these lines (1, 4 and 14) are fully automated, and the additional four are also planned as such. Lines are identified on maps by an individual number and an associated specific colour, all part of an official palette, with the traveling direction indicated by the terminus, the last stop on each line. All trains travel from one end of the line to the other, serving every station along the way. The Paris Métro is operated by the Régie autonome des transports parisiens (RATP), which also operates part of the RER (commuter standard train) network, most of the Francilian tram lines and many bus routes around and within Paris itself.

It is the second-busiest metro system in Europe, as well as the twelfth-busiest in the world. It carried 1.476 billion passengers in 2024, roughly 4.04 million passengers a day, which makes it the most used public transport system in Paris. It is one of the densest metro systems in the world, with 244 stations within the 105.4 km (41 sq mi) of the City of Paris. Châtelet–Les Halles, with five Métro and three RER commuter rail lines, is one of the world's largest metro stations. The system generally has poor accessibility due to its old age (established 125 years ago) and because most of the current infrastructure was built before accessibility standards emerged, with few stations retrofitted since. On the flip side, all new infrastructure and rolling stock meets current accessiblity standards, including extensions of historic lines.

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Paris Metro in the context of Victor Horta

Victor Pierre Horta (French: [viktɔʁ ɔʁta]; Victor, Baron Horta after 1932; 6 January 1861 – 8 September 1947) was a Belgian architect and designer, and one of the founders of the Art Nouveau movement. He was a fervent admirer of the French architectural theorist Eugène Viollet-le-Duc and his Hôtel Tassel in Brussels (1892–93), often considered the first Art Nouveau house, is based on the work of Viollet-le-Duc. The curving stylized vegetal forms that Horta used in turn influenced many others, including the French architect Hector Guimard, who used it in the first Art Nouveau apartment building he designed in Paris and in the entrances he designed for the Paris Metro. He is also considered a precursor of modern architecture for his open floor plans and his innovative use of iron, steel and glass.

Horta's later work moved away from Art Nouveau, and became more geometric and formal, with classical touches, such as columns. He made a highly original use of steel frames and skylights to bring light into the structures, open floor plans, and finely-designed decorative details. His later major works included the Maison du Peuple/Volkshuis (1895–1899), Brussels' Centre for Fine Arts (1923–1929) and Brussels-Central railway station (1913–1952). In 1932, King Albert I conferred on Horta the title of Baron for his services to the field of architecture.

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Paris Metro in the context of Place de la Nation

The Place de la Nation (French pronunciation: [plas la nɑsjɔ̃]; formerly the Place du Trône [- tʁon], subsequently the Place du Trône-Renversé [- ʁɑ̃vɛʁse] during the French Revolution) is a circle on the eastern side of Paris, between the Place de la Bastille and the Bois de Vincennes, on the border of the 11th and 12th arrondissements. Widely known for having the most active guillotines during the Revolution, the square acquired its current name on Bastille Day, 14 July 1880, under the Third Republic.

The square includes a large bronze sculpture by Aimé-Jules Dalou, the Triumph of the Republic, depicting the personification of France, Marianne, and is encircled by shops and a flower garden. It is served by the Paris Metro station Nation.

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