Parietal art in the context of "Petroglyphs"

In archaeology, cave paintings are a type of parietal art (which category also includes petroglyphs, or engravings), found on the wall or ceilings of caves. The term usually implies prehistoric origin. Several groups of scientists suggest that the oldest of such paintings were created not by Homo sapiens, but by Denisovans and Neanderthals.

Discussion around prehistoric art is important in understanding the history of Homo sapiens and how human beings have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.

Lascaux (English: /læˈskoʊ/ la-SKOH, US also /lɑːˈskoʊ/ lah-SKOH; French: Grotte de Lascaux French pronunciation: [ɡʁɔt də lasko], "Lascaux Cave") is a network of caves near the village of Montignac, in the department of Dordogne in southwestern France. Over 600 parietal wall paintings cover the interior walls and ceilings of the cave. The paintings represent primarily large animals, typical local contemporary fauna that correspond with the fossil record of the Upper Paleolithic in the area. They are the combined effort of many generations. With continued debate, the age of the paintings is now usually estimated at 17,000 to 22,000 years (early Magdalenian). Because of the outstanding prehistoric art in the cave, Lascaux was inducted into the UNESCO World Heritage List in 1979, as an element of the Prehistoric Sites and Decorated Caves of the Vézère Valley.

The original caves have been closed to the public since 1963, as their condition was quickly deteriorating, but there are now a number of replicas.

The Deer Cave (Italian: Grotta dei Cervi - literally: Grotto of the stags) is a natural cave at the Salento coast near the town of Porto Badisco, around 8 km (5.0 mi) south of Otranto in Apulia, Italy. Unknown before 1970, it came to immediate international attention after the discovery of its impressive, innovative and enigmatic complex galleries of prehistoric parietal wall paintings.

This complex of caves was discovered during an ongoing routine exploration of the local territory on February 1, 1970 by a team of speleologists of the Salento Speleological Group "Pasquale de Laurentiis" from Maglie. It was initially named Cave of Aeneas (Grotta di Enea) in reference to Virgil's Aeneid in which the Trojan hero Aeneas first landed in Italy precisely in Porto Badisco. The current name alludes to the omnipresence and significance of deer depictions among the cave's galleries. The location was soon closed to the public in order to ensure that the original environmental conditions essential for the conservation of the paintings are not disrupted. Access to the cave remains restricted to authorized personnel and researchers only.

The Levantine Aurignacian (35,000-29,000 BP, calibrated, 32,000-26,000 BP, non-calibrated) is an Upper Paleolithic culture of the Near-Eastern Levant that evolved from the Emiran culture. It was named so because of the similarity of stone tools with the Aurignacian culture in Europe. The Levantine Aurignacian used to be called Lower and Upper Antelian in old sources, from the site of Wadi Antelias in Lebanon. The most important innovation in this period is the incorporation of some typical elements of Aurignacian, like some types of burins and narrow blade points that resemble the European type of Font-Yves.