Paracas culture in the context of "Andean"

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⭐ Core Definition: Paracas culture

The Paracas culture was an Andean society existing between approximately 800 BCE and 100 BCE, located in what today is the Ica Region of Peru. The Paracas people had extensive knowledge of irrigation and water management and made significant contributions in the textile arts. Most of the information about the lives of the Paracas people comes from excavations at the large seaside Paracas site on the Paracas Peninsula, first formally investigated in the 1920s by Peruvian archaeologist Julio Tello.

The Paracas Cavernas are shaft tombs set into the top of Cerro Colorado, each containing multiple burials. There is evidence that over the centuries when the culture thrived, these tombs were reused. In some cases, the heads of the deceased were taken out, apparently for rituals, and later reburied. The associated ceramics include incised polychrome, "negative" resist decoration, and other wares of the Paracas tradition. The associated textiles include many complex weave structures, as well as elaborate plaiting and knotting techniques.

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Paracas culture in the context of Nazca culture

The Nazca culture (also Nasca) was the archaeological culture that flourished from c. 100 BC to 800 AD beside the arid, southern coast of Peru in the river valleys of the Rio Grande de Nazca drainage and the Ica Valley. Strongly influenced by the preceding Paracas culture, which was known for extremely complex textiles, the Nazca produced an array of crafts and technologies such as ceramics, textiles, and geoglyphs.

They are known for two extensive construction projects that would have required the coordination of large groups of laborers: the Nazca Lines, immense designs in the desert whose purpose is unknown, and puquios, underground aqueducts for providing water for irrigation and domestic purposes in the arid environment, several dozen of which still function today. The Nazca Province in the Ica Region was named for this people.

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Paracas culture in the context of Nazca

Nazca (/ˈnɑːskɑː, -kə/; sometimes spelled Nasca; possibly from Quechua: nanasqa, lit.'hurt') is a city and system of valleys on the southern coast of Peru. The city of Nazca is the largest in the Nazca Province. The name is derived from the Nazca culture, which flourished in the area between 100 BC and AD 800. This culture was responsible for the Nazca Lines and the ceremonial city of Cahuachi. They also constructed additional underground aqueducts, named puquios, in a regional system that still functions today. The first puquios are believed to have been built by the preceding Paracas culture.

Nazca is the capital of the Nazca Province located in the Ica District of the Ica Region of Peru.

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Paracas culture in the context of Nazca Lines

The Nazca lines (/ˈnɑːzkə/, /-kɑː/) are a group of over 700 geoglyphs made in the soil of the Nazca Desert in southern Peru. They were created between 500 BC and 500 AD by people making depressions or shallow incisions in the desert floor, removing pebbles and leaving different-colored dirt exposed. There are two major phases of the Nazca lines, Paracas phase, from 400 to 200 BC, and Nazca phase, from 200 BC to 500 AD. In the 21st century, several hundred new figures had been found with the use of drones, and archaeologists believe that there are more to be found.

Most lines run straight across the landscape, but there are also figurative designs of animals and plants. The combined length of all the lines is more than 1,300 km (800 mi), and the group covers an area of about 50 km (19 sq mi). The lines are typically 10 to 15 cm (4–6 in) deep. They were made by removing the top layer of reddish-brown ferric oxide–coated pebbles to reveal a yellow-grey subsoil. The width of the lines varies considerably, but more than half are slightly more than 33 cm (13 in) wide. In some places they may be only 30 cm (12 in) wide, and in others reach 1.8 m (6 ft) wide.

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Paracas culture in the context of Paracas Peninsula

The Paracas Peninsula is a desert peninsula within the boundaries of the Paracas National Reserve, a marine reserve which extends south along the coast of Peru. It is the only marine reserve in the country. The peninsula is located within the Paracas District of Pisco Province in the Ica Region, on the south coast of Peru. This unusual peninsula may be best known for the Paracas Candelabra, a prehistoric geoglyph nearly 600 ft (183 m) tall that was created on the north face of the peninsula ridge. Pottery nearby was dated to 200 BCE, placing it within the Paracas culture. Its origins and purpose have inspired many theories.

A shipping port was built along the northern peninsula, where deeper water permits larger transport and cruise ships to anchor. Tourists can have access to the Paracas National Reserve, a large marine reserve, while the ships are protected against ocean waves and currents. The peninsula includes red sand beaches formed from sands eroded from nearby cliffs.

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Paracas culture in the context of Julio Tello

Julio César Tello Rojas (April 11, 1880 – June 3, 1947) was a Peruvian archaeologist. Tello is considered the "father of Peruvian archeology" and was the first indigenous archaeologist in South America.

He made the major discoveries of the prehistoric Paracas culture, including nearly 400 textiles associated with mummified burials. He founded a national museum of archeology and served as its first director. In addition, he investigated Chavín de Huantar as the focus for his work in the Andean highlands, which he believed was significant for the development of ancient cultures in the region.

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Paracas culture in the context of Paracas National Reserve

Paracas National Reserve is a protected area in the region of Ica, Peru and protects desert and marine ecosystems for their conservation and sustainable use. There are also archaeological remains of the Paracas culture inside the reserve.

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