Palo (religion) in the context of Nzambi a Mpungu


Palo (religion) in the context of Nzambi a Mpungu

⭐ Core Definition: Palo (religion)

Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It draws heavily upon the traditional Kongo religion of Central Africa, with additional influences taken from Catholicism and from Spiritism. An initiatory religion practised by paleros (male) and paleras (female), Palo is organised through small autonomous groups called munanso congo, each led by a tata (father) or yayi (mother).

Although teaching the existence of a creator divinity, commonly called Nsambi, Palo regards this entity as being uninvolved in human affairs and instead focuses its attention on the spirits of the dead. Central to Palo is the nganga, a vessel usually made from an iron cauldron. Many nganga are regarded as material manifestations of ancestral or nature deities known as mpungu. The nganga will typically contain a wide range of objects, among the most important being sticks and human remains, the latter called nfumbe. In Palo, the presence of the nfumbe means that the spirit of that dead person inhabits the nganga and serves the palero or palera who possesses it. The Palo practitioner commands the nganga to do their bidding, typically to heal but also to cause harm. Those nganga primarily designed for benevolent acts are baptised; those largely designed for malevolent acts are left unbaptised. The nganga is "fed" with the blood of sacrificed animals and other offerings, while its will and advice is interpreted through divination. Group rituals often involve singing, drumming, and dancing to facilitate possession by spirits of the dead.

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Palo (religion) in the context of Botánica

A botánica (often written botanica and less commonly known as a hierbería or botica) is a religious goods store. The name botánica is Spanish and translates as "botany" or "plant store," referring to these establishments' function as dispensaries of medicinal herbs. Botánicas are common in many Hispanic American countries and Latino communities around the world. Such establishments sell folk medicine, herbs, candles, and statues for Saints and popular gods. They also carry oils, incense, perfumes, and books. Such stores have become increasingly popular in the United States as the Latino communities they serve have grown in that country. A botánica is a site of healing and support, such that one owner says they are a "place of mysteries" due to the metaphysical appreciation of mystery as a synonym for spirit and divinity.

Most botánicas sell products and services associated with spiritual practices such as Candomblé, Curanderismo, Espiritismo, Macumba, Palo Monte, Santa Muerte, María Lionza and Santería. Whether these items are viewed as cultural imports or adaptive responses on the part of immigrants to a new social environment, the majority of these products and services are used by those who seek guidance in their spiritual and social lives. Botánicas provide their patrons with access to power: power from the natural world, the social world, and the world of the spirits. Devotees, in turn, use this power to meet the challenges of ordinary life: problems of health, wealth, and love. People come to the botánica with a host of struggles and problems, and the botánica offers hope from these troubles.

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Palo (religion) in the context of Music of African heritage in Cuba

Music of African heritage in Cuba derives from the musical traditions of the many ethnic groups from different parts of West and Central Africa that were brought to Cuba as slaves between the 16th and 19th centuries. Members of some of these groups formed their own ethnic associations or cabildos, in which cultural traditions were conserved, including musical ones. Music of African heritage, along with considerable Iberian (Spanish) musical elements, forms the fulcrum of Cuban music.

Much of this music is associated with traditional African religion – Lucumi, Palo, and others – and preserves the languages formerly used in the African homelands. The music is passed on by oral tradition and is often performed in private gatherings difficult for outsiders to access. Lacking melodic instruments, the music instead features polyrhythmic percussion, voice (call-and-response), and dance. As with other musically renowned New World nations such as the United States, Brazil and Jamaica, Cuban music represents a profound African musical heritage.

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