Palais du Louvre in the context of "Saint-Germain l'Auxerrois"

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⭐ Core Definition: Palais du Louvre

The Louvre Palace (French: Palais du Louvre, [palɛ dy luvʁ]), often referred to simply as the Louvre, is a palace located on the Right Bank of the Seine in Paris, occupying a large expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a defensive castle, it has served several government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793.

While this area along the Seine had been inhabited for thousands of years, the Louvre's history starts around 1190 with its first construction as the Louvre Castle defending the western front of the Wall of Philip II Augustus, the then new city-wall of Paris. The Louvre's oldest section still standing above ground, its palatial Lescot Wing, dates from the late 1540s, when Francis I started the replacement of the greatly expanded medieval castle with a new design inspired by classical antiquity and Italian Renaissance architecture. Most parts of the current building were constructed in the 17th and 19th centuries. In the late 20th century, the Grand Louvre project increased visitor access and gallery space, including by adding the Louvre Pyramid in the courtyard Cour Napoléon.

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Palais du Louvre in the context of Simoeis

Simoeis or Simois /ˈsɪmɪs/ (Ancient Greek: Σιμόεις Simóeis) was a river of the Trojan plain, now called the Dümruk Su (Dümrek Çayı), and the name of its god in Greek mythology.

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Palais du Louvre in the context of Gustave Crauk

Gustave Adolphe Désiré Crauck (or Crauk; 16 July 1827 – 17 November 1905) was a French sculptor with a long distinguished career.

He was born and died at Valenciennes, where a special museum for his works was erected in his honor. Educated at the École des Beaux-Arts, Crauck took the Prix de Rome in 1851.

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Palais du Louvre in the context of Jacques-Léonard Maillet

Jacques-Léonard Maillet (French pronunciation: [ʒak leɔnaʁ majɛ]; 12 July 1823 - 14 February 1894) was a French academic sculptor of modest reputation, whose themes were of neoclassical and biblical inspiration; his public commissions were in large part for the programs of decorative architectural sculpture required by the grandiose public works programs characteristic of the Second Empire, which included commemorative portraits of French culture heroes. He also provided models for goldsmith's work.

Maillet was born in Paris, the son of a menuisier, or carver of furniture and panelling, of the working-class district, the Faubourg Saint-Antoine.

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Palais du Louvre in the context of Pierre Lescot

Pierre Lescot (c. 1515 – 10 September 1578) was a French architect of the French Renaissance period. He is known for designing the Fontaine des Innocents and the Lescot wing of the Louvre in Paris. Lescot contributed to the incorporation of classical architectural elements into French architecture.

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Palais du Louvre in the context of Pont des Arts

The Pont des Arts (French pronunciation: [pɔ̃ dez‿aʁ]) or Passerelle des Arts ([pasʁɛl -]) is a pedestrian bridge in Paris which crosses the River Seine. It links the Institut de France and the central square (cour carrée) of the Palais du Louvre, which had been termed the "Palais des Arts" under the First French Empire.

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Palais du Louvre in the context of Jean-Simon Berthélemy

Jean-Simon Berthélemy (5 March 1743 – 1 March 1811) was a French history painter who was commissioned to paint allegorical ceilings for the Palais du Louvre, the Luxembourg Palace and others, in a conservative Late Baroque-Rococo manner only somewhat affected by Neoclassicism.

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