Theatre Royal, Drury Lane in the context of "David Garrick"

⭐ In the context of David Garrick's career, the Theatre Royal, Drury Lane is considered...

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⭐ Core Definition: Theatre Royal, Drury Lane

The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The present building, opened in 1812, is the most recent of four theatres that have stood at the location since 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music).

The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. It was initially known as "Theatre Royal in Bridges Street". The theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn and Charles Hart. In 1672, the theatre caught fire, and Killigrew built a larger theatre on the same plot, renamed the "Theatre Royal in Drury Lane", which opened in 1674. This building lasted nearly 120 years, under the leaderships of Colley Cibber, David Garrick and Richard Brinsley Sheridan, the last of whom employed Joseph Grimaldi as the theatre's resident Clown.

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👉 Theatre Royal, Drury Lane in the context of David Garrick

David Garrick (19 February 1716 – 20 January 1779) was an actor who wrote and produced and influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in several amateur theatricals, and with his appearance in the title role of Shakespeare's Richard III, audiences and managers began to take notice.

Impressed by his portrayals of Richard III and several other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after he retired from Drury Lane and the stage, he was given a lavish public funeral at Westminster Abbey where he was buried in Poets' Corner.

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Theatre Royal, Drury Lane in the context of History of theatre

The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world.

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Theatre Royal, Drury Lane in the context of Charles Fleetwood (theatre manager)

Charles Fleetwood (died 1747) was an English gentleman with an interest in theatre. He eventually became the manager of the Theatre Royal, Drury Lane, in partnership with Colley Cibber and, sometime later, Charles Macklin.

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Theatre Royal, Drury Lane in the context of West End theatre

West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London. Along with New York City's Broadway theatre, West End theatre represents the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Prominent screen actors, British and international alike, frequently appear on the London stage.

There are about 40 theatres in the West End. The Theatre Royal, Drury Lane, opened in 1663, is the oldest theatre in London. The Savoy Theatre—built as a showcase for the popular series of comic operas of Gilbert and Sullivan—was entirely lit by electricity in 1881.

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Theatre Royal, Drury Lane in the context of Covent Garden

Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.

The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable land and orchards, later referred to as "the garden of the Abbey and Convent", and later "the Convent Garden". Following the Dissolution of the Monasteries it was granted in 1552 by the young King Edward VI to John Russell, 1st Earl of Bedford (c.1485–1555), the trusted adviser to his father King Henry VIII. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul's. The design of the square was new to London and had a significant influence on modern town planning, acting as the prototype for new estates as London grew.

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Theatre Royal, Drury Lane in the context of Patent theatre

The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or dancing, to prevent the whole being too serious or dramatic.

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Theatre Royal, Drury Lane in the context of Richard Brinsley Sheridan

Richard Brinsley Butler Sheridan (30 October 1751 – 7 July 1816) was an Anglo-Irish playwright, writer and Whig politician who sat in the British House of Commons from 1780 to 1812, representing the constituencies of Stafford, Westminster and Ilchester. The owner of the Theatre Royal, Drury Lane, in London, he wrote several prominent plays such as The Rivals (1775), The Duenna (1775), The School for Scandal (1777) and A Trip to Scarborough (1777). He served as Treasurer of the Navy from 1806 to 1807. Sheridan died in 1816 and was buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the Western canon and are frequently performed around the world.

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Theatre Royal, Drury Lane in the context of Joseph Grimaldi

Joseph Grimaldi (18 December 1778 – 31 May 1837) was an English actor, comedian and dancer, who became the most popular English entertainer of the Regency era. In the early 19th century, he expanded the role of Clown in the harlequinade that formed part of British pantomimes, notably at the Theatre Royal, Drury Lane and the Sadler's Wells and Covent Garden theatres. He became so dominant on the London comic stage that the harlequinade role of Clown became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design were, and still are, used by other types of clowns. Grimaldi originated catchphrases such as "Here we are again!", which continue to feature in modern pantomimes.

Born in London to an entertainer father, Grimaldi began to perform as a child, making his stage debut at Drury Lane in 1780. He became successful at the Sadler's Wells Theatre the following year; his first major role was as Little Clown in the pantomime The Triumph of Mirth; or, Harlequin's Wedding in 1781, in which he starred alongside his father. After a brief schooling, he appeared in various low-budget productions and became a sought-after child performer. He took leading parts in Valentine and Orson (1794) and The Talisman; or, Harlequin Made Happy (1796), the latter of which brought him wider recognition.

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Theatre Royal, Drury Lane in the context of Charles Macklin

Charles Macklin (26 September 1699 – 11 July 1797), (Gaelic: Cathal MacLochlainn, English: Charles McLaughlin), was an Irish actor and dramatist who performed extensively at the Theatre Royal, Drury Lane. Macklin revolutionised theatre in the 18th century by introducing a "natural style" of acting. He is also famous for accidentally killing a man during a fight over a wig at the same theatre.

Macklin was born in County Donegal in the Irish region of Ulster in the north of Ireland. He was raised in Dublin, where he attended school in Islandbridge after his father's death and his mother's remarriage. Macklin became known for his many performances in the tragedy and comedy genre of plays. He gained his greatest fame in the role of Shylock in The Merchant of Venice. Macklin enjoyed a long career which was often steeped in controversy before dying aged 97.

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