Palace in the context of "Early English Gothic"

Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age in ancient Greece, spanning the period from approximately 1750 to 1050 BC. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system. The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, and Midea in the Peloponnese, Orchomenos, Thebes, and Athens in Central Greece, and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus, Macedonia, on islands in the Aegean Sea, on the south-west coast of Asia Minor, and on Cyprus, while Mycenaean-influenced settlements appeared in the Levant and Italy.

The Mycenaean Greeks introduced several innovations in the fields of engineering, architecture and military infrastructure, while trade over vast areas of the Mediterranean was essential for the Mycenaean economy. Their syllabic script, Linear B, offers the first written records of the Greek language, and their religion already included several deities also to be found in the Olympic pantheon. Mycenaean Greece was dominated by a warrior elite society and consisted of a network of palace-centered states that developed rigid hierarchical, political, social, and economic systems. At the head of this society was the king, known as a wanax.

A complex society is characterized by the following modern features:

• Organizational society wherein its economy is structured according to specialization and a division of labor. These economic features spawn a bureaucratic class and often lead to inequality. Leading to the rise of a ruling elite.
• Archaeologically, features such as big architectural projects such as temples, palaces, public works etc and prescribed burial rites.
• Large scale agricultural development, leads to surplus food, which allows members of the society the time for developing and practicing specialized skill sets, other than farming.
• Organized political structure and state institutions.

The term is mostly used as shorthand to indicate a society with intricate political organization and using technology to expand economic production.

The military nature of Mycenaean Greece (c. 1800–1050 BC) in the Late Bronze Age is evident by the numerous weapons unearthed, warrior and combat representations in contemporary art, as well as by the preserved Greek Linear B records. The Mycenaeans invested in the development of military infrastructure with military production and logistics being supervised directly from the palatial centres.

Late Bronze Age Greece was divided into a series of warrior kingdoms, the most important being centered in Mycenae, to which the culture of this era owes its name, Tiryns, Pylos and Thebes. From the 15th century BC, Mycenaean power started expanding towards the Aegean, the Anatolian coast and Cyprus. Mycenaean armies shared several common features with other contemporary Late Bronze Age powers: they were initially based on heavy infantry, with spears, large shields and in some occasions armor. In the 13th century BC, Mycenaean units underwent a transformation in tactics and weaponry and became more uniform and flexible and their weapons became smaller and lighter. Some representative types of Mycenaean armor/weapons were the boar's tusk helmet and the "Figure-of-eight" shield. Moreover, most features of the later hoplite panoply of Classical Greece were already known at this time.

A palace economy or redistribution economy is a system of economic organization in which a substantial share of the wealth flows into the control of a centralized administration, the palace, and out from there to the general population. In turn the population may be allowed its own sources of income but relies heavily on the wealth distributed by the palace. It was traditionally justified on the principle that the palace was most capable of distributing wealth efficiently for the benefit of society. The temple economy (or temple-state economy) is a similar concept.

The concept of economic distribution is at least as old as the advent of the pharaohs. Anthropologists have noted many such systems, from those of tribesmen engaged in common subsistence economies of various sorts to complex civilizations, such as that of the Inca Empire, which assigned segments of the economy to specific villages. The essence of the idea is that a central administration plans production, assigns elements of the population to carry it out, collects the goods and services thus created, and redistributes them to the producers.

A castle is a type of fortified structure built during the Middle Ages predominantly by the nobility or royalty and by military orders. Scholars usually consider a castle to be the private fortified residence of a lord or noble. This is distinct from a mansion, palace, and villa, whose main purpose was exclusively for pleasance and are not primarily fortresses but may be fortified. Use of the term has varied over time and, sometimes, has also been applied to structures such as hill forts and 19th- and 20th-century homes built to resemble castles. Over the Middle Ages, when genuine castles were built, they took on a great many forms with many different features, although some, such as curtain walls, arrowslits, and portcullises, were commonplace.

European-style castles originated in the 9th and 10th centuries after the fall of the Carolingian Empire, which resulted in its territory being divided among individual lords and princes. These nobles built castles to control the area immediately surrounding them and they were both offensive and defensive structures: they provided a base from which raids could be launched as well as offering protection from enemies. Although their military origins are often emphasised in castle studies, the structures also served as centres of administration and symbols of power. Urban castles were used to control the local populace and important travel routes, and rural castles were often situated near features that were integral to life in the community, such as mills, fertile land, or a water source.

The Winter Palace is a palace in Saint Petersburg that served as the official residence of the House of Romanov, previous emperors, from 1732 to 1917. The palace and its precincts now house the Hermitage Museum. The floor area is 233,345 square metres (it has been calculated that the palace contains 1,886 doors, 1,945 windows, 1,500 rooms and 117 staircases). The total area of the Winter Palace is 14.2 hectares. (approximately 1.52 million square feet) Situated between Palace Embankment and Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917, as depicted in Soviet art and in Sergei Eisenstein's 1928 film October, became a symbol of the October Revolution.

The emperors constructed their palaces on a monumental scale that aimed to reflect the might and power of Imperial Russia. From the palace, the tsars ruled over 22,800,000 square kilometers (8,800,000 sq mi) (almost 1/6 of the Earth's landmass) and 125 million subjects by the end of the 19th century. Several architects participated in designing the Winter Palace—most notably the Italian Bartolomeo Rastrelli (1700–1771)—in what became known as the Elizabethan Baroque style. The green-and-white palace has the overall shape of an elongated rectangle, and its principal façade is 215 metres (705 ft) long and 30 m (98 ft) high. Following a serious fire, the palace's rebuilding of 1837 left the exterior unchanged, but large parts of the interior were redesigned in a variety of tastes and styles, leading the palace to be described as a "19th-century palace inspired by a model in Rococo style".