Paintings in the context of "Plaster"

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⭐ Core Definition: Paintings

Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter.

In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects.

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Paintings in the context of Repatriation (cultural property)

Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners (or their heirs).

The disputed cultural property items are physical artifacts of a group or society taken by another group, usually in the act of looting, whether in the context of imperialism, colonialism, or war. The contested objects vary widely and include sculptures, paintings, monuments, objects such as tools or weapons for purposes of anthropological study, and human remains.

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Paintings in the context of Art theft

Art theft is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.

Some famous art theft cases include the robbery of the Mona Lisa from the Louvre in 1911 by employee Vincenzo Peruggia. Another was the theft of The Scream, stolen from the Munch Museum in 2004, but recovered in 2006. The largest-value art theft occurred at the Isabella Stewart Gardner Museum in Boston, when 13 works, worth a combined $500 million were stolen in 1990. The case remains unsolved. Large-scale art thefts include the Nazi looting of Europe during World War II and the Russian looting of Ukraine during the 2022 Russian invasion of Ukraine. More recently French crown jewels were stolen from the Louvre in 2025.

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Paintings in the context of List of most expensive paintings

This is a list of the highest known prices paid for paintings. The record payment for a work is approximately US $450.3 million (which includes commission) for the work Salvator Mundi (c. 1500) generally considered to be by Leonardo da Vinci, though this is disputed. The painting was sold in November 2017, through the auction house Christie's in New York City.

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Paintings in the context of Klimt University of Vienna Ceiling Paintings

The Klimt University of Vienna Ceiling Paintings, also known as the Faculty Paintings, were a series of paintings made by Gustav Klimt for the ceiling of the University of Vienna's Great Hall between 1900 and 1907. In 1894, Klimt was commissioned to paint the ceiling. Upon presenting his paintings, Philosophy, Medicine and Jurisprudence, Klimt came under attack for 'pornography' and 'perverted excess' in the paintings. None of the paintings went on display in the university.

It is believed that all three paintings were destroyed at the end of World War II when retreating SS forces set fire to Schloss Immendorf, where they were housed, though this is not conclusively verified.

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Paintings in the context of Chester Dale

Chester Dale (May 3, 1883 – December 16, 1962) was an American banker and art collector. Dale earned his wealth from the New York Stock Exchange, which then allowed him to become a major collector of nineteenth- and twentieth-century French paintings. Major works from his collection were donated to the National Gallery of Art in 1941, as well as via bequest in 1963.

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Paintings in the context of Saint Louis Art Museum

The Saint Louis Art Museum (SLAM) is an art museum located in St. Louis, Missouri, United States. With paintings, sculptures, cultural objects, and ancient masterpieces from around the world, its three-story building stands in Forest Park in St. Louis, Missouri, where it is visited by up to a half million people every year. Admission is free through a subsidy from the cultural tax district for St. Louis City and County.

In addition to the featured exhibitions, the museum offers rotating exhibitions and installations. These include the Currents series, which features contemporary artists, as well as regular exhibitions of new media art and works on paper.

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Paintings in the context of Bagh Caves

The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhya Range in Bagh town of Dhar district in Madhya Pradesh in central India. These monuments are located at a distance of 97 km from Dhar town. These are renowned for mural paintings by master painters of ancient India. The caves are examples of Indian rock-cut architecture, rather than naturally formed.

The Bagh caves, like those at Ajanta, were excavated by master craftsmen on perpendicular sandstone rock face of a hill on the far bank of a seasonal stream, the Baghani. Buddhist in inspiration, of the nine caves, only five have survived. All of them are 'viharas' or resting places of monks monasteries having quadrangular plan. A small chamber, usually at the back, forms the 'chaitya', the prayer hall. Most significant of these five extant caves is the Cave 4, commonly known as the Rang Mahal (Palace of Colors).

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