Painter of Munich 1410 in the context of "Memnon (mythology)"

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⭐ Core Definition: Painter of Munich 1410

The Painter of Munich 1410 was an Attic black-figure vase painter, active in the third quarter of the sixth century BC. His real name is not known. He was one of the late representatives of the black-figure style, which was in its final phase due to the introduction of red-figure vase painting. His conventional name is derived from his name vase, on display in the Staatliche Antikensammlungen at Munich (inventory 1410). Although he is not considered an outstanding artist, some notable works are ascribed to him.

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Painter of Munich 1410 in the context of Name vase

In classical archaeology, a name vase is a specific "vase" whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies their characteristic style, or for one of its distinctive painted subjects, or for other attributes.

The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced by John D. Beazley, the first scholar to study them systematically; for South Italian vases, Arthur Dale Trendall played a similar role.

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