Overglaze enamel in the context of "Mina'i ware"

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⭐ Core Definition: Overglaze enamel

Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse onto the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain.

Many historical styles, for example mina'i ware, Imari ware, Chinese doucai, and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied.

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Overglaze enamel in the context of Cabinet cup

In European porcelain, a cabinet cup is an unusually richly decorated cup, normally with a saucer, that did not form part of a tea service but was sold singly (or in a pair) to give as a present or to collectors. They were expected to be displayed in a glass-fronted china cabinet rather than put to regular use. The heyday of the cabinet cup was the second half of the 18th century and the first decades of the 19th century; they worked well in the showy Empire style then in fashion. A more general term, also covering plates and other shapes, is cabinet piece.

The decoration generally included overglaze enamel painting of a very high standard, tending to focus on a single main subject or scene, rather than spreading equally around the cup in a pattern. The saucer was also decorated, often including the central area which would be covered by the cup in use. The bottom of the saucer often lacked the usual depression where the cup sat, as in cabinets the saucer was often displayed placed nearly vertical on a wire holder beside the cup, so that the whole saucer could be seen. Some are pieces commemorating either public events, especially concerning royalty, or private ones. There was often lavish use of gilding, an indication the pieces were not for heavy use, as this often did not wear well.

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