The ouroboros (/ˌʊərəˈbɒrəs/) or uroboros (/ˌjʊərəˈbɒrəs/) is an ancient symbol depicting a snake or dragon eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition. It was adopted as a symbol in Gnosticism and Hermeticism and, most notably, in alchemy. Some snakes, such as rat snakes, have been known to consume themselves.
>>>PUT SHARE BUTTONS HERE<<<
👉 Ouroboros in the context of Alchemy
Alchemy (from the Arabic word al-kīmīā, الكیمیاء) is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practised in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD. Greek-speaking alchemists often referred to their craft as "the Art" (τέχνη) or "Knowledge" (ἐπιστήμη), and it was often characterised as mystic (μυστική), sacred (ἱɛρά), or divine (θɛíα).
Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical magnum opus ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of these projects.
In this Dossier
Ouroboros in the context of Self-reference
Self-reference is a concept that involves referring to oneself or one's own attributes, characteristics, or actions. It can occur in language, logic, mathematics, philosophy, and other fields.
In natural or formal languages, self-reference occurs when a sentence, idea or formula refers to itself. The reference may be expressed either directly—through some intermediate sentence or formula—or by means of some encoding.
Ouroboros in the context of Chrysopoeia
In alchemy, the term chrysopoeia (from Ancient Greek χρυσοποιία (khrusopoiía) 'gold-making') refers to the artificial production of gold, most commonly by the alleged transmutation of base metals such as lead.
A related term is argyropoeia (from Ancient Greek ἀργυροποιία (arguropoiía) 'silver-making'), referring to the artificial production of silver, often by transmuting copper. Although alchemists pursued many different goals, the making of gold and silver remained one of the defining ambitions of alchemy throughout its history, from Zosimus of Panopolis (c. 300) to Robert Boyle (1627–1691).
Ouroboros in the context of Jǫrmungandr
In Norse mythology, Jörmungandr (Old Norse: Jǫrmungandr, lit. 'the Vast 'gand'', see Etymology), also known as the Midgard Serpent or World Serpent (Old Norse: Miðgarðsormr, "worm of Midgard"), is an unfathomably large and monstrous sea serpent or worm who dwells in the world sea, encircling the Earth (Midgard) and biting his own tail, an example of an ouroboros. As a result of him surrounding Midgard, the beast is referred to as the World Serpent. Jörmungandr releasing his tail is one of the signs of the beginning of Ragnarök.
Jörmungandr is said to be the middle child of the god Loki and the jötunn Angrboða. According to the Prose Edda, Odin took Loki's three children by Angrboða – the wolf Fenrir, underworld ruler Hel, and the serpent Jörmungandr – and removed them from Asgard (the world of the Æsir). The serpent Jörmungandr was tossed into the great ocean that encircles Midgard. There the serpent grew so large that he was able to surround the Earth and grasp his own tail. The old Norse thunder god, Thor, has a lengthy feud with Jörmungandr and the serpent is regarded as his archenemy. During Ragnarök, Thor and Jörmungandr engage in a ferocious battle, culminating in both of their deaths.