Our Lady of Guadalupe in the context of "Aureola"

San Jose, officially the City of San José (/ˌsæn hoʊˈzeɪ, -ˈseɪ/ SAN hoh-ZAY, -⁠SAY; Spanish: [saŋ xoˈse]), is a cultural, commercial, and political center within the San Francisco Bay Area and Silicon Valley. With a city population of 997,368 and a metropolitan area population of 1.95 million, it is the most populous city in both the Bay Area and Northern California and the 12th-most populous in the United States. Located in the center of the Santa Clara Valley on the southern shore of San Francisco Bay, San Jose covers an area of 179.97 sq mi (466.1 km) and is the county seat of Santa Clara County.

Before the arrival of the Spanish, the area around San Jose was long inhabited by the Tamien nation of the Ohlone people. San Jose was founded on November 29, 1777, as the Pueblo de San José de Guadalupe, the first city founded in the Californias. It became a part of Mexico in 1821 after the Mexican War of Independence. Following the U.S. Conquest of California during the Mexican–American War, the territory was ceded to the United States in 1848. After California achieved statehood two years later, San Jose served as the state's first capital. San Jose experienced an economic boom after World War II, with a rapid population growth and aggressive annexation of nearby communities in the 1950s and 1960s. The rapid growth of the technology industry in Silicon Valley further accelerated the city's transition from an agricultural center to an urbanized metropolitan area, prompting Mayor Tom McEnery to adopt San Jose's current motto, "Capital of Silicon Valley", in 1988. Results of the 1990 U.S. census indicated that San Jose had surpassed San Francisco in population. By the early 2000s, San Jose was California's fastest-growing economy.

A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally retablo is also the Spanish term for a retable or reredos above an altar, whether a large altarpiece painting or an elaborate wooden structure with sculptures. Typically this includes painting, sculpture, or a combination of the two, and an elaborate framework enclosing it. The Latin etymology of the Spanish word means "board behind". Aside from being found behind the altar, "similar ornamental structures are built and carved over facades and doorways", called overdoors.

Small retablos are devotional or votive paintings, often on rectangular sheets of tin that illustrate holy images such as Christ, the Virgin Mother, or one of the hundreds of saints. Many are ex-votos ("from a vow") that depict the story that led to their commission, usually dangerous or threatening events that occurred, and which the person survived, thanks to the intercession of a sacred person – God, Mary, or a saint. They are made as a way of thanking the sacred person for protection in precarious situations, such as surviving an illness or earthquake. This class of ex-votos often shows the protected humans in a dangerous situation, and the sacred person who protected them, usually with an inscribed explanation of the events, with the date and location. Both devotional and especially ex-voto retablos may be deposited at a shrine as a votive offering, or kept at home.

The Virgin of Candelaria or Our Lady of Candelaria (Spanish: Virgen de Candelaria or Nuestra Señora de la Candelaria) (Tagalog: Mahal na Birhen ng Candelaria), popularly called La Morenita, celebrates the Virgin Mary on the island of Tenerife, one of the Canary Islands (Spain). The center of worship is located in the city of Candelaria in Tenerife. She is depicted as a Black Madonna. The "Royal Basilica Marian Shrine of Our Lady of Candelaria" (Basilica of Candelaria) is considered the main church dedicated to the Virgin Mary in the Canary Islands and she is the patroness saint of the Canary Islands. Her feast is celebrated on February 2 (Fiesta de la Candelaria) and August 15, the patronal feast of the Canary Islands.

Her devotion is deeply rooted in other parts of Spain, and in countries such as Bolivia, Colombia, Cuba, Philippines, Mexico, Peru, Venezuela and others. Her patronage also extends to various cities and countries in America and other continents. This has made the Virgin of Candelaria the second most widespread Marian devotion on the American continent, after the Our Lady of Guadalupe, patroness saint of Mexico.

Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.

Marian art forms part of the fabric of Catholic Marian culture through their emotional impact on her veneration. Images such as Our Lady of Guadalupe and the many artistic renditions of it as statues are not simply works of art but are a central element of the daily lives of the Mexican people. Both Hidalgo and Zapata flew Guadalupan flags and depictions of the Virgin of Guadalupe continue to remain a key unifying element in the Mexican nation. The study of Mary via the field of Mariology is thus inherently intertwined with Marian art.

Colonia Villa de Guadalupe (also known as La Villa de Guadalupe Hidalgo) is a former separate town, now a neighborhood in northern Mexico City which, in 1531, was the site of the alleged apparition of Our Lady of Guadalupe, the most renowned Marian apparition in the Americas. She is venerated in the Our Lady of Guadalupe Shrine, located in the villa (town).

The word Guadalupe comes from Spain, where it was originally the name of a river.

Juan Diego Cuauhtlatoatzin (1474–1548), also known simply as Juan Diego (Spanish pronunciation: [ˌxwanˈdjeɣo]), was a Nahua peasant and Marian visionary. He is said to have been granted apparitions of Our Lady of Guadalupe on four occasions in December 1531: three at the hill of Tepeyac and a fourth before don Juan de Zumárraga, then the first bishop of Mexico. The Basilica of Our Lady of Guadalupe, located at the foot of Tepeyac, houses the cloak (tilmahtli) that is traditionally said to be Juan Diego's, and upon which the image of the Virgin is said to have been miraculously impressed as proof of the authenticity of the apparitions.

Juan Diego's visions and the imparting of the miraculous image, as recounted in oral and written colonial sources such as the Huei tlamahuiçoltica, are together known as the Guadalupe event (Spanish: el acontecimiento Guadalupano), and are the basis of the veneration of Our Lady of Guadalupe. This veneration is ubiquitous in Mexico, prevalent throughout the Spanish-speaking Americas, and increasingly widespread beyond. As a result, the Basilica of Our Lady of Guadalupe is now one of the world's major Christian pilgrimage destinations, receiving 22 million visitors in 2010.

Juan Diego Bernardino (ca. 1456 – May 15, 1544) was one of three Aztec peasants alleged to have had visions of the Virgin Mary as Our Lady of Guadalupe in 1531.

A tilmàtli (or tilma; Classical Nahuatl: tilmahtli, Classical Nahuatl pronunciation: [tilmaʔtɬi]) was a type of outer garment worn by men as a cloak/cape, documented from the late Postclassic and early Colonial eras among the Aztec and other peoples of central Mexico.