Origin myth in the context of "Natural"

Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is totally different from the ordinary sense of the term myth, meaning a belief that is not true, as the veracity of a piece of folklore is entirely irrelevant to determining whether it constitutes a myth.

Myths are often endorsed by religious and secular authorities, and may be natural or supernatural in character. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals.

During the Second Punic War with Carthage, Rome's earliest known annalists Quintus Fabius Pictor and Lucius Cincius Alimentus recorded history in Greek, and relied on Greek historians such as Timaeus. Roman histories were not written in Classical Latin until the 2nd century BCE with the Origines by Cato the Elder. Contemporary Greek historians such as Polybius wrote about the rise of Rome during its conquest of Greece and ascension as the primary power of the Mediterranean in the 2nd century BCE. Moving away from the annalist tradition, Roman historians of the 1st century BCE such as Sallust, Livy, and even Julius Caesar wrote their works in a much fuller narrative form. While Caesar's De Bello Gallico focused specifically on his wars in Gaul, Roman works that served as a broad universal history often placed heavy emphasis on the origin myth of the founding of Rome as a starting point. These works formed the basis of the Roman historiographic models utilized by later Imperial authors of the Principate era, such as Tacitus and Suetonius.

Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none has achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs.

The music of prehistoric cultures is first firmly dated to c. 38,000 BC of the Upper Paleolithic by evidence of bone flutes, though it remains unclear whether or not the actual origins lie in the earlier Middle Paleolithic period (300,000 to 50,000 BP). There is little known about prehistoric music, with traces mainly limited to some simple flutes and percussion instruments. However, such evidence indicates that music existed to some extent in prehistoric societies such as the Xia dynasty and the Indus Valley civilisation. Upon the development of writing, the music of literate civilizations—ancient music—was present in the major Chinese, Egyptian, Greek, Indian, Persian, Mesopotamian, and Middle Eastern societies. It is difficult to make many generalizations about ancient music as a whole, but from what is known it was often characterized by monophony and improvisation. In ancient song forms, the texts were closely aligned with music, and though the oldest extant musical notation survives from this period, many texts survive without their accompanying music, such as the Rigveda and the Shijing Classic of Poetry. The eventual emergence of the Silk Road and increasing contact between cultures led to the transmission and exchange of musical ideas, practices, and instruments. Such interaction led to the Tang dynasty's music being heavily influenced by Central Asian traditions, while the Tang dynasty's music, the Japanese gagaku and Korean court music each influenced each other.

The Areopagus (/æriˈɒpəɡəs/) was a principal council of ancient Athens, later serving mainly as a judicial body responsible for cases of homicide, wounding, and certain religious offenses. It met on a rocky outcrop called the “Hill of Ares,” northwest of the Acropolis in Athens, Greece, from which it took its name. Its English name comes from the Late Latin composite form of the Greek name Areios Pagos, translated "Hill of Ares" (Ancient Greek: Ἄρειος Πάγος). The war god Ares was supposed to have been tried by the other gods on the Areopagus for the murder of Poseidon's son Halirrhothius, a typical example of an aetiological myth.