Orientalizing period in the context of "Black figure"

Play Trivia Questions online!

or

Skip to study material about Orientalizing period in the context of "Black figure"




⭐ Core Definition: Orientalizing period

The Orientalizing period or Orientalizing revolution is an art historical period that began during the later part of the 8th century BC, when art of the Eastern Mediterranean and the Ancient Near East heavily influenced nearby Mediterranean cultures, most notably Archaic Greece. The main sources were Egypt, Phoenicia, Syria, and Assyria. With the spread of Phoenician civilization by Carthage and Greek colonisation into the Western Mediterranean, these artistic trends also influenced the Etruscans and early Ancient Romans in the Italian peninsula.

↓ Menu

In this Dossier

Orientalizing period in the context of Black-figure pottery

Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanizedmelanómorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.

Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan market. Greek black-figure vases were very popular with the Etruscans, as is evident from frequent imports. Greek artists created customized goods for the Etruscan market which differed in form and decor from their normal products. The Etruscans also developed their own black-figure ceramic industry oriented on Greek models.

↑ Return to Menu

Orientalizing period in the context of Chigi vase

The Chigi vase is a Proto-Corinthian olpe, or pitcher, that is the name vase of the Chigi Painter. It was found in an Etruscan tomb at Monte Aguzzo, near Veio, on Prince Mario Chigi's estate in 1881. The vase has been variously assigned to the middle and late Proto-Corinthian periods and given a date of c. 650–640 BC; it is now in the National Etruscan Museum, Villa Giulia, Rome (inv. No.22679).

The vase stands 26 cm (10.2 inches) tall, which is modest compared to other Greek vases. Some three-quarters of the vase is preserved. It was found amidst a large number of potsherds of mixed provenance, including one bucchero vessel inscribed with five lines in two early Etruscan alphabets announcing the ownership of Atianai, perhaps also the original owner of the Chigi vase.

↑ Return to Menu