Codex Aureus of St. Emmeram in the context of "Early Middle Ages"

⭐ In the context of the Early Middle Ages, what was a primary reason for the initial labeling of the period as the 'Dark Ages' by 19th-century observers?

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⭐ Core Definition: Codex Aureus of St. Emmeram

The Codex Aureus of Saint Emmeram (Munich, Bayerische Staatsbibliothek, Clm 14000) is a 9th-century illuminated Gospel Book. It takes its name from Saint Emmeram's Abbey in Bavaria, where it was for most of its history (named after Emmeram of Regensburg) and is lavishly illuminated. The cover of the codex is decorated with gems and relief figures in gold, can be precisely dated to 870, and is an important example of Carolingian art, as well as one of very few surviving treasure bindings of this date.

The upper cover of the Lindau Gospels is probably a product of the same workshop, though there are differences of style. This workshop is associated with the Holy Roman Emperor Charles II (the Bald), and often called his "Palace School". Its location (if it had a fixed one) remains uncertain and much discussed, but Saint-Denis Abbey outside Paris is one leading possibility. The Arnulf Ciborium (a miniature architectural ciborium rather than the vessel for hosts), now in the Munich Residenz, is the third major work in the group, along with the frame of an antique serpentine dish in the Louvre. Recent scholars tend to group the Lindau Gospels and the Arnulf Ciborium in closer relation to each other than the Codex Aureus to either.

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👉 Codex Aureus of St. Emmeram in the context of Early Middle Ages

The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages, is typically regarded by historians as lasting from the late 5th to the 10th century. They marked the start of the Middle Ages of European history, following the decline of the Western Roman Empire, and preceding the High Middle Ages (c. 11th to 14th centuries). The alternative term late antiquity, for the early part of the period, emphasizes elements of continuity with the Roman Empire, while Early Middle Ages is used to emphasize developments characteristic of the earlier medieval period.

The period saw a continuation of trends evident since late classical antiquity, including population decline, especially in urban centres, a decline of trade, a small rise in average temperatures in the North Atlantic region and increased migration. In the 19th century the Early Middle Ages were often labelled the Dark Ages, a characterization based on the relative scarcity of literary and cultural output from this time. The term is rarely used by academics today. The Eastern Roman Empire, or Byzantine Empire, survived, though in the 7th century the Rashidun Caliphate and the Umayyad Caliphate conquered the southern part of the Roman territory.

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Codex Aureus of St. Emmeram in the context of Treasure binding

A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.

The vast majority of these bookbindings were later destroyed as their valuable gold and jewels were removed by looters, or the owners when in need of cash. Others survive without their jewels, and many are either no longer attached to a book, or have been moved to a different book. Some survive in major libraries; for example, the Morgan Library in New York City, the John Rylands Library in Manchester, the British Library in London, the Bayerische Staatsbibliothek in Munich and the Bibliothèque Nationale in Paris. As the carved ivory reliefs often used could not usually be recycled, these survive in much larger numbers, giving a better idea of the numbers of treasure bindings that once existed. Other examples are recorded in documentary sources but though the books survive the covers do not. The Book of Kells lost its binding after a robbery, and the fate of the missing cover of the Book of Lindisfarne is not recorded.

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LINKED FROM (PARENTS)
← Early Middle Ages ← Treasure binding ← Early Medieval ← Early medieval period ← Early medieval ← Early medieval Europe
LINKS TO (CHILDREN)
Charles the Bald → Illuminated manuscript → Gospel Book → Saint Emmeram's Abbey → Emmeram of Regensburg → Relief → Carolingian art → Treasure binding → Lindau Gospels → Holy Roman Emperor → Basilica of St Denis → Ciborium (architecture) → Ciborium (container) → Munich Residenz → Serpentine group → Louvre →