Orazio Gentileschi in the context of "Artemisia Gentileschi"

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⭐ Core Definition: Orazio Gentileschi

Orazio Lomi Gentileschi (Italian pronunciation: [oˈrattsjo ˈlɔːmi dʒentiˈleski]; 1563 – 7 February 1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists.

After 1600, he came under the influence of the more naturalistic style of Caravaggio. He received important commissions in Fabriano and Genoa before moving to Paris to the court of Marie de' Medici. He spent the last part of his life at the court of Charles I of England and died in London. He was the father of the painter Artemisia Gentileschi.

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Orazio Gentileschi in the context of Baroque painting

Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.

Baroque painting encompasses a great range of styles, as most important and major painting during the period beginning around 1600 and continuing throughout the 17th century, and into the early 18th century is identified today as Baroque painting. In its most typical manifestations, Baroque art is characterized by great drama, rich, deep colour, and intense light and dark shadows, but the classicism of French Baroque painters like Poussin and Dutch genre painters such as Vermeer are also covered by the term, at least in English. As opposed to Renaissance art, which usually showed the moment before an event took place, Baroque artists chose the most dramatic point, the moment when the action was occurring: Michelangelo, working in the High Renaissance, shows his David composed and still before he battles Goliath; Bernini's Baroque David is caught in the act of hurling the stone at the giant. Baroque art was meant to evoke emotion and passion instead of the calm rationality that had been prized during the Renaissance.

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Orazio Gentileschi in the context of Queen's House

Queen's House is a former royal residence in the London borough of Greenwich, which presently serves as a public art gallery. It was built between 1616 and 1635 on the grounds of the now demolished Greenwich Palace, a few miles downriver from the City of London. In its current setting, it forms a central focus of the Old Royal Naval College with a grand vista leading to the River Thames, a World Heritage Site called, Maritime Greenwich. The Queen's House architect, Inigo Jones, was commissioned by Queen Anne of Denmark and her successor as queen consort, Queen Henrietta Maria. The House was a royal retreat and place to display and enjoy the artworks the queens had commissioned; this included the ceiling in the Great Hall that featured a work by Orazio Gentileschi titled Allegory of Peace and the Arts.

Queen's House is one of the most important buildings in British architectural history, due to it being the first consciously classical building to have been constructed in the country. It was Jones's first major commission after returning from his 1613–1615 grand tour of Roman, Renaissance, and Palladian architecture in Italy. Some earlier English buildings, such as Longleat and Burghley House, had made borrowings from the classical style, but the structure of these buildings was not informed by an understanding of classical precedents. Queen's House would have appeared revolutionary during this period. Although it diverges from the mathematical constraints of Palladio, Jones is often credited with the introduction of Palladianism with the construction of the Queen's House. Jones' unique architecture of the Queen's House also includes features like the Tulip Stairs, an intricate wrought iron staircase that holds itself up, and the Great Hall, a perfect cube.

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