Ophelia in the context of "Polonius"

Ophelia is an 1851–52 painting by British artist John Everett Millais in the collection of Tate Britain, London. It depicts the young Danish noblewoman Ophelia in William Shakespeare's play Hamlet, who due to Hamlet's actions, loses her sanity and drowns.

The painting received mixed responses when first exhibited at the Royal Academy of Arts in London, but is today widely regarded as one of the most important mid-nineteenth-century works, and is renowned for its beauty and natural landscape. The work has influenced artists such as John William Waterhouse, Peter Blake, Ed Ruscha and Friedrich Heyser.

Prince Hamlet is the title character and protagonist of William Shakespeare's tragedy Hamlet (1599–1601). He is the Prince of Denmark, nephew of the usurping Claudius, and son of King Hamlet, the previous King of Denmark. At the beginning of the play, he is conflicted whether, and how, to avenge the murder of his father, and struggles with his own sanity along the way. By the end of the tragedy, Hamlet has caused the deaths of Polonius, Laertes, Claudius, and Rosencrantz and Guildenstern, two acquaintances of his from childhood. He is also indirectly involved in the deaths of his love Ophelia (drowning) and of his mother Gertrude (mistakenly poisoned by Claudius).

Dame Judith Olivia Dench (born 9 December 1934) is a retired English actress. Widely considered one of Britain's greatest actresses, she is noted for her versatile roles on stage and screen. Dench has garnered various accolades throughout a career that spans seven decades, including an Academy Award, a Tony Award, two Golden Globe Awards, four British Academy Television Awards, six British Academy Film Awards, and seven Olivier Awards.

Dench made her professional debut in 1957 with the Old Vic Company. Over the following few years she performed in several of Shakespeare's plays, in such roles as Ophelia in Hamlet, Juliet in Romeo and Juliet and Lady Macbeth in Macbeth. Although most of Dench's work during this period was in theatre, she also branched out into film work and won a BAFTA Award as Most Promising Newcomer. In 1968, she drew excellent reviews for her leading role of Sally Bowles in the musical Cabaret. Over the next two decades Dench established herself as one of the most significant British theatre performers, working for the National Theatre Company and the Royal Shakespeare Company.

Vivien Leigh (/liː/ LEE; born Vivian Mary Hartley; 5 November 1913 – 8 July 1967), styled as Lady Olivier after 1947, was a British actress. After completing her drama school education, Leigh appeared in small roles in four films in 1935 and progressed to the role of heroine in Fire Over England (1937). She then won the Academy Award for Best Actress twice, for her performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. For the latter role, she also won the Volpi Cup for Best Actress. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963).

Despite her fame as a screen actress, Leigh was primarily a stage performer. During her 30-year career, she played roles ranging from the heroines of Noël Coward and George Bernard Shaw comedies to classic Shakespearean characters such as Ophelia, Cleopatra, Juliet and Lady Macbeth. Later in life, she performed as a character actress in a few films. Although her career had periods of inactivity, in 1999 the American Film Institute (AFI) ranked Leigh as the 16th-greatest female movie star of classic Hollywood cinema. Also lauded for her beauty, Leigh felt that her physical attributes sometimes prevented her from being taken seriously as an actress.

"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.

In the speech, Hamlet contemplates death and suicide, weighing the pain and unfairness of life against the alternative, which might be worse. It is not clear that Hamlet is thinking of his own situation since the speech is entirely in an abstract, somewhat academic register that accords with Hamlet's status as a (recent) student at Wittenberg University. Furthermore, Hamlet is not alone as he speaks because Ophelia is on stage waiting for him to see her, and Claudius and Polonius have concealed themselves to hear him. Even so, Hamlet seems to consider himself alone and there is no definite indication that the others hear him before he addresses Ophelia, so the speech is almost universally regarded as a sincere soliloquy.

Laertes /leɪˈɜːrtiːz/ is a character in William Shakespeare's play Hamlet. Laertes is Polonius' son and Ophelia's brother. In the final scene, he mortally stabs Hamlet with a poison-tipped sword to avenge the deaths of his father and sister, for which he blames Hamlet. While dying of the same poison, he implicates King Claudius.

The Laertes character is thought to be originated by Shakespeare, as there is no equivalent character in any of the known sources for the play. His name is taken from Laërtes, father of Odysseus in Homer's Odyssey.

Ophelia is a c.1900 oil painting by German artist Friedrich Heyser. It measures 90.5 cm × 181.5 cm (35.6 in × 71.5 in). It depicts the death by drowning of Ophelia, described in Act IV of William Shakespeare's play Hamlet. She is floating in a long white dress, among flowers and leaves of a river. The composition draws inspiration from the 1851–52 painting by the Pre-Raphaelite artist Millais.