Opernhaus am Zwinger in the context of "May Uprising in Dresden"

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⭐ Core Definition: Opernhaus am Zwinger

The Opernhaus am Zwinger (Opera house at the Zwinger) was a theatre in Dresden, Saxony, Germany, opened in 1719. The architect of the Zwinger, Matthäus Daniel Pöppelmann, was also responsible for the opera house situated next to its south-western pavilion. The building replaced the first opera house of Dresden, the Opernhaus am Taschenberg, which was transformed to a church.

The three-tier hall seated up to 2000 people and was at the time one of the largest opera houses in Europe. The first performance was on 3 September 1719 Antonio Lotti's Giovi in Argo, followed on 13 September by the premiere of Lotti's Teofane on the occasion of the wedding of prince Friedrich August II, later the elector and as August III king of Poland, and Maria Josepha of Austria. The house flourished when he, an opera enthusiast, reigned as elector, and Johann Adolph Hasse was musical director. Due to the Seven Years' War, the last opera, Hasse's Olimpiade, was performed in 1756. The building was used for balls and concerts. It burned down during the May Uprising in Dresden in 1849. The next opera house, the Semperoper, was built at a different location.

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Opernhaus am Zwinger in the context of Opera seria

Opera seria (Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once opera seria was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to opera seria was opera buffa, the 'comic' opera that took its cue from the improvisatory commedia dell'arte. An opera seria had a historical or Biblical subject, whereas an opera buffa had a contemporary subject.

Italian opera seria (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: Il pomo d'oro, 1668), Dresden (since 1719) as well as other German residences, Saint Petersburg (Italian opera reached Russia in 1731, first opera venues followed c. 1742), Madrid (see Spanish opera), and Lisbon. Opera seria was less popular in France, where the national genre of French opera (or tragédie en musique) was preferred.

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