Odissi music in the context of "Champu"

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⭐ Core Definition: Odissi music

Odissi music (Odia: ଓଡ଼ିଶୀ ସଙ୍ଗୀତ, romanized: oṛiśī sangīta, Odia: [oɽisi sɔŋgit̪ɔ] ) is a genre of classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over two thousand years, distinguished by its unique sangita-shastras (musical treatises), a specialized system of Ragas and Talas, and a distinctive style of performance characterised by specific modulations such as the āndolita and the kurāla. Odissi compositions are largely written in Sanskrit and Odia.

The various compositional forms of Odissi music include Odissi Prabandha, Chaupadi, Chhanda, Champu, Chautisa, Janāna, Mālasri, Bhajana, Sarimāna, Jhulā, Kuduka, Koili, Poi, Boli, and more. Presentation dynamics are roughly classified into four: rāgānga, bhābānga, nātyānga and dhrubapadānga. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Krupasiddhā Balarama Dasa, Atibadi Jagannatha Dasa, Dinakrusna Dasa, Kabi Samrata Upendra Bhanja, Banamali Dasa, Kabisurjya Baladeba Ratha, Kabikalahansa Gopalakrusna Pattanayaka and Abhimanyu Samanta Singhara.

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Odissi music in the context of Indian classical music

Indian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Shastriya Sangeet and Marg Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is Odissi music, which has evolved over the last two thousand years.

The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient Natyashastra, the classic Sanskrit text on performing arts by Bharata Muni. The 13th century Sanskrit text Sangeeta-Ratnakara of Sarangadeva is regarded as the definitive text by both the Hindustani music and the Carnatic music traditions.

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Odissi music in the context of Gita Govinda

The Gita Govinda (Sanskrit: गीतगोविन्दम्; IAST: gītagovindam) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and gopis (female cow herders) of Vrindavan.

The Gita Govinda is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called prabandhas, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ashtapadis. The text also elaborates the eight moods of Heroine, the Ashta Nayika, which has been an inspiration for many compositions and choreographic works in Indian classical dances. Every night in the Jagannatha temple, the Gitagovinda of Jayadeva is sung in the style of Odissi music, a tradition that has continued unbroken since the time of Jayadeva himself. Musicians of Kerala have adapted the ashtapadis into a musical form performed in temples called sopana sangeetham. Jayadeva's hymns are also included in the Guru Granth Sahib.

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