Oberon (Seyler) in the context of Seyler Theatre Company


Oberon (Seyler) in the context of Seyler Theatre Company

⭐ Core Definition: Oberon (Seyler)

Oberon, or The Elf King (German: Oberon oder König der Elfen), or simply Oberon, originally known as Huon and Amanda (German: Hüon und Amande), is a romantic Singspiel in five acts by Friederike Sophie Seyler, inspired by the poem Oberon by Christoph Martin Wieland, which itself was based on the epic romance Huon of Bordeaux, a French medieval tale. It has been named for two of its central characters, the knight Huon and the fairy king Oberon, respectively. Musicologist Thomas Bauman describes the work as "an important impulse for the creation of a generation of popular spectacles trading in magic and the exotic. Die Zauberflöte [The Magic Flute] in particular shares many features with Oberon, musical as well as textual."

The opera was published in "Flensburg, Schleswig and Leipzig" in 1789, the year Seyler died. Seyler was married to the prominent theatre director Abel Seyler, the founder of the Seyler Theatre Company and a noted promoter of both German opera and William Shakespeare. The opera was dedicated to their common long-time friend and collaborator, the actor Friedrich Ludwig Schröder. Seyler's opera and a plagiarized version by Karl Ludwig Giesecke both enjoyed popularity from the late 18th century. The opera had a central role in the development of Emanuel Schikaneder's theatre and its focus on fairy tale operas which culminated in The Magic Flute, and was one of the influences that the latter's libretto built upon.

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Oberon (Seyler) in the context of Christoph Martin Wieland

Christoph Martin Wieland (/ˈvlənd/; German: [ˈviːlant]; 5 September 1733 – 20 January 1813) was a German poet and writer, representative of literary Rococo. He is best-remembered for having written the first Bildungsroman (Geschichte des Agathon), as well as the epic Oberon, which formed the basis for both Friederike Sophie Seyler's opera of the same name and Carl Maria von Weber's opera of the same name. His thought was representative of the cosmopolitanism of the German Enlightenment, exemplified in his remark: "Only a true cosmopolitan can be a good citizen." He was a key figure of Weimar Classicism and a collaborator of Abel Seyler's theatre company.

View the full Wikipedia page for Christoph Martin Wieland
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