Nuu-chah-nulth in the context of "Wakashan languages"

Nuu-chah-nulth (nuučaan̓uɫ), a.k.a. Nootka (/ˈnuːtkə/), is a Wakashan language in the Pacific Northwest of North America on the west coast of Vancouver Island, from Barkley Sound to Quatsino Sound in British Columbia by the Nuu-chah-nulth peoples. Nuu-chah-nulth is a Southern Wakashan language related to Nitinaht and Makah.

It is the first language of the indigenous peoples of the Pacific Northwest Coast to have documentary written materials describing it. In the 1780s, Captains Vancouver, Quadra, and other European explorers and traders frequented Nootka Sound and the other Nuu-chah-nulth communities, making reports of their voyages. From 1803 to 1805 John R. Jewitt, an English blacksmith, was held captive by chief Maquinna at Nootka Sound. He made an effort to learn the language, and in 1815 published a memoir with a brief glossary of its terms.

Totem poles (Haida: gyáaʼaang) are monumental carvings found in western Canada and the northwestern United States. They are a type of Indigenous Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.

The word totem derives from the Algonquian word odoodem [oˈtuːtɛm] meaning "(his) kinship group". The carvings may symbolize or commemorate ancestors, cultural beliefs that recount familiar legends, clan lineages, or notable events. The poles may also serve as functional architectural features, welcome signs for village visitors, mortuary vessels for the remains of deceased ancestors, or as a means to publicly ridicule someone. They may embody a historical narrative of significance to the people carving and installing the pole. Given the complexity and symbolic meanings of these various carvings, their placement and importance lies in the observer's knowledge and connection to the meanings of the figures and the culture in which they are embedded. Contrary to common misconception, they are not worshipped or the subject of spiritual practice, nor were they were used by all Indigenous peoples in the Americas.