Nuremberg Chronicle in the context of "Simonides of Ceos"

An omen (also called portent) is a phenomenon that is believed to foretell the future, often signifying the advent of change. It was commonly believed in ancient history, and still believed by some today, that omens bring divine messages from the gods.

These omens include natural phenomena, for example an eclipse, abnormal births of animals (especially humans) and behaviour of the sacrificial lamb on its way to the slaughter. Specialists, known as diviners, variously existed to interpret these omens. They would also use an artificial method, for example, a clay model of a sheep liver, to communicate with their gods in times of crisis. They would expect a binary answer, either yes or no, favourable or unfavourable. They did these to predict what would happen in the future and to take action to avoid disaster.

The Renaissance in Rome occupied a period from the mid-15th to the mid-16th centuries, a period which spawned such masters as Michelangelo and Raphael, who left an indelible mark on Western figurative art. The city had been a magnet for artists wishing to study its classical ruins since the early 15th century. A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Filippo Brunelleschi and the sculptor Donatello, both Florentines. This inspired a corresponding classicism in painting and sculpture, which manifested itself in the paintings of Masaccio and Uccello. Pisanello and his assistants also frequently took inspiration from ancient remains, but their approach was essentially cataloguing, acquiring a repertoire of models to be exploited later.

In the year 1420, Pope Martin V moved the papal seat back to Rome, ending its long Avignon Papacy or "Babylonian captivity", and the Papal Schism, when several "popes" simultaneously claimed the office. He at once set to work, establishing order and restoring the dilapidated churches, palaces, bridges, and other public structures. For this reconstruction he engaged some famous masters of the Tuscan school, and thus laid the foundation for the Roman Renaissance.

In art, the term macabre (US: /məˈkɑːb/ or UK: /məˈkɑːbrə/; French: [makabʁ]) means "having the quality of having a grim or ghastly atmosphere".

The macabre emphasises the details and symbols of death.

Buda (Hungarian pronunciation: [ˈbudɒ], German: Ofen) is the part of Budapest, the capital city of Hungary, that lies on the western bank of the Danube. Historically, "Buda" referred only to the royal walled city on Castle Hill (Hungarian: Várhegy), which was constructed by Béla IV between 1247 and 1249 and subsequently served as the capital of the Kingdom of Hungary from 1361 to 1873. In 1873, Buda was administratively unified with Pest and Óbuda to form modern Budapest.

Royal Buda is called the Várnegyed (lit. 'Castle Quarter') today, while "Buda" pars pro toto denotes Budapest's I., II., III., XI., XII. and XXII. districts. This colloquial definition thus includes medieval Óbuda and amounts to a third of the city's total area, much of it forested. Buda's landmarks include the Royal Palace, Matthias Church, the Citadella, Gellért Baths, the Buda Hills, the Carmelite Monastery of Buda, and the residence of the President of Hungary, Sándor Palace.

The Danse Macabre (/dɑːns məˈkɑːb(rə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.

The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. It was produced as memento mori, to remind people of the fragility of their lives and the vanity of earthly glory. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme (apart from 14th century Triumph of Death paintings) was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Written in 1874 by the French composer Camille Saint-Saëns, Danse Macabre, Op. 40, is a haunting symphonic "poem" for orchestra. It premiered 24 January 1875.

Hartmann Schedel (13 February 1440 – 28 November 1514) was a German historian, physician, humanist, and one of the first cartographers to use the printing press. He was born and died in Nuremberg. Matheolus Perusinus served as his tutor.

Schedel is best known for his writing the text for the Nuremberg Chronicle, known as Schedelsche Weltchronik (English: Schedel's World Chronicle), published in 1493 in Nuremberg. It was commissioned by Sebald Schreyer (1446–1520) and Sebastian Kammermeister (1446–1503). Maps in the Chronicle were the first ever illustrations of many cities and countries.