Noumenon in the context of Object (philosophy)


Noumenon in the context of Object (philosophy)

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⭐ Core Definition: Noumenon

In philosophy, a noumenon (/ˈnmənɒn/, /ˈn-/; from Ancient Greek: νοούμενoν; pl.: noumena) is knowledge posited as an object that exists independently of human sense. The term noumenon is generally used in contrast with, or in relation to, the term phenomenon, which refers to any object of the senses. Immanuel Kant first developed the notion of the noumenon as part of his transcendental idealism, suggesting that while we know the noumenal world to exist because human sensibility is merely receptive, it is not itself sensible and must therefore remain otherwise unknowable to us. In Kantian philosophy, the noumenon is often associated with the unknowable "thing-in-itself" (German: Ding an sich). However, the nature of the relationship between the two is not made explicit in Kant's work, and remains a subject of debate among Kant scholars as a result.

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Noumenon in the context of Arthur Schopenhauer

Arthur Schopenhauer (/ˈʃpənhaʊər/ SHOH-pən-how-ər; German: [ˈaʁtuːɐ̯ ˈʃoːpn̩haʊɐ] ; 22 February 1788 – 21 September 1860) was a German philosopher. He is known for his 1818 work The World as Will and Representation (expanded in 1844), which characterizes the phenomenal world as the manifestation of a blind and irrational noumenal will. Building on the transcendental idealism of Immanuel Kant, Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism.

Schopenhauer was among the first philosophers in the Western tradition to share and affirm significant tenets of Indian philosophy, such as asceticism, denial of the self, and the notion of the world-as-appearance. His work has been described as an exemplary manifestation of philosophical pessimism. Though his work failed to garner substantial attention during his lifetime, he had a posthumous impact across various disciplines, including philosophy, literature, and science. His writing on aesthetics, morality and psychology has influenced many thinkers and artists.

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Noumenon in the context of Phenomenon

A phenomenon (pl. phenomena), sometimes spelled phaenomenon, is an observable event. The term came into its modern philosophical usage through Immanuel Kant, who contrasted it with the noumenon, which cannot be directly observed. Kant was heavily influenced by Gottfried Wilhelm Leibniz in this part of his philosophy, in which phenomenon and noumenon serve as interrelated technical terms. Far predating this, the ancient Greek Pyrrhonist philosopher Sextus Empiricus also used phenomenon and noumenon as interrelated technical terms.

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Noumenon in the context of Unobservable

An unobservable (also called impalpable) is an entity whose existence, nature, properties, qualities or relations are not directly observable by humans. In philosophy of science, typical examples of "unobservables" are the force of gravity, causation and beliefs or desires. The distinction between observable and unobservable plays a central role in Immanuel Kant's distinction between noumena and phenomena as well as in John Locke's distinction between primary and secondary qualities. There is considerable disagreement about which objects should be classified as unobservable, for example, whether bacteria studied using microscopes or positrons studied using cloud chambers count as unobservable. Different notions of unobservability have been formulated corresponding to different types of obstacles to their observation.

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Noumenon in the context of Thing-in-itself

In Kantian philosophy, the thing-in-itself (German: Ding an sich) is the status of objects as they are, independent of representation and observation. The concept of the thing-in-itself was introduced by the German philosopher Immanuel Kant, and over the following centuries was met with controversy among later philosophers. It is closely related to Kant's concept of noumena or the objects of inquiry, as opposed to phenomena, its manifestations.

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Noumenon in the context of Aeon (Gnosticism)

In many Gnostic belief systems, there exist various emanations of God, who is known by such names as One, Monad, Aion teleos (αἰών τέλεος "The Broadest Aeon"), Bythos (βυθός, "depth" or "profundity"), Arkhe (ἀρχή, "the beginning"). In Gnosticism these emanations of God are named as Proarkhe (προαρχή, "before the beginning") and as Aeons (which are also often named and may be paired or grouped). In different systems these emanations are differently named, classified, and described (but emanation is common to all forms of 'Gnosticism'). In Basilidian Gnosis they are called sonships (υἱότητες huiotetes; sing.: υἱότης huiotes); according to Marcus, they are numbers and sounds; in Valentinianism they form male/female pairs called syzygies (συζυγίαι, from σύζυγοι syzygoi: lit. "yokings together").

This source of all being is an Aeon, in which an inner being dwells, known as Ennoea (ἔννοια, "thought, intent"), Charis (χάρις, "grace") or Sige (σιγή, "silence"). The split perfect being conceives the second Aeon, Nous (Νους, "mind"), within itself. Complex hierarchies of Aeons are thus produced, sometimes to the number of thirty. These Aeons belong to a purely ideal, noumenal, intelligible, or supersensible world; they are immaterial, they are hypostatic ideas. Together with the source from which they emanate, they form Pleroma (πλήρωμα, "fullness"). The lowest regions of Pleroma are closest to darkness; that is, the physical world.

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Noumenon in the context of Construct (philosophy of science)

In philosophy, a construct is an object which is ideal, that is, an object of the mind or of thought, meaning that its existence may be said to depend upon a subject's mind. This contrasts with any possibly mind-independent objects, the existence of which purportedly does not depend on the existence of a conscious observing subject. Thus, the distinction between these two terms may be compared to that between phenomenon and noumenon in other philosophical contexts and to many of the typical definitions of the terms realism and idealism also. In the correspondence theory of truth, ideas, such as constructs, are to be judged and checked according to how well they correspond with their referents, often conceived as part of a mind-independent reality.

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