Norwegian literature in the context of Bjørnstjerne Bjørnson


Norwegian literature in the context of Bjørnstjerne Bjørnson

⭐ Core Definition: Norwegian literature

Norwegian literature is literature composed in Norway or by Norwegian people. The history of Norwegian literature starts with the pagan Eddaic poems and skaldic verse of the 9th and 10th centuries with poets such as Bragi Boddason and Eyvindr Skáldaspillir. The arrival of Christianity around the year 1000 brought Norway into contact with European medieval learning, hagiography and history writing. Merged with native oral tradition and Icelandic influence, this was to flower into an active period of literature production in the late 12th and early 13th centuries. Major works of that period include Historia Norwegie, Thidreks saga and Konungs skuggsjá.

The period from the 14th century to the 19th is considered a Dark Age in the nation's literature though Norwegian-born writers such as Peder Claussøn Friis, Dorothe Engelbretsdatter and Ludvig Holberg contributed to the common literature of Denmark–Norway. With the advent of nationalism and the struggle for independence in the early 19th century, a new period of national literature emerged. In a flood of nationalistic romanticism, the great four emerged: Henrik Ibsen, Bjørnstjerne Bjørnson, Alexander Kielland, and Jonas Lie. The dramatist Henrik Wergeland was the most-influential author of the period while the later works of Henrik Ibsen were to earn Norway a key place in Western European literature.

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Norwegian literature in the context of Ludvig Holberg

Ludvig Holberg, Baron of Holberg (3 December 1684 – 28 January 1754) was a writer, essayist, philosopher, historian and playwright born in Bergen, Norway, during the time of the Dano–Norwegian dual monarchy. He was influenced by Humanism, the Enlightenment and the Baroque. Holberg is considered the founder of modern Danish and Norwegian literature. He was also a prominent Neo-Latin author, known across Europe for his writing. He is best known for the comedies he wrote in 1722–1723 for the Lille Grønnegade Theatre in Copenhagen. Holberg's works about natural and common law were widely read by many Danish law students over two hundred years, from 1736 to 1936.

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