Nonfiction in the context of Subheading


Nonfiction in the context of Subheading

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⭐ Core Definition: Nonfiction

Non-fiction (or nonfiction) is any document or media content that attempts, in good faith, to convey information only about the real world, rather than being grounded in imagination. Non-fiction typically aims to present topics objectively based on historical, scientific, and empirical information. However, some non-fiction ranges into more subjective territory, including sincerely held opinions on real-world topics.

Often referring specifically to prose writing, non-fiction is one of the two fundamental approaches to story and storytelling, in contrast to narrative fiction, which is largely populated by imaginary characters and events. Non-fiction writers can show the reasons and consequences of events, they can compare, contrast, classify, categorise and summarise information, put the facts in a logical or chronological order, infer and reach conclusions about facts, etc. They can use graphic, structural and printed appearance features such as pictures, graphs or charts, diagrams, flowcharts, summaries, glossaries, sidebars, timelines, table of contents, headings, subheadings, bolded or italicised words, footnotes, maps, indices, labels, captions, etc. to help readers find information.

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Nonfiction in the context of Islamic literature

Islamic literature is literature written by Muslim people, influenced by an Islamic cultural perspective, or literature that portrays Islam. It can be written in any language and portray any country or region. It includes many literary forms including adabs, a non-fiction form of Islamic advice literature, and various fictional literary genres.

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Nonfiction in the context of Memoir

A memoir (/ˈmɛm.wɑːr/; from French mémoire [me.mwaʁ], from Latin memoria 'memory, remembrance') is any nonfiction narrative writing based on the author's personal memories. The assertions made in the work are thus understood to be factual. While memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus, usually a particular time phase in someone's life or career. A biography or autobiography tells the story "of a life", while a memoir often tells the story of a particular career, event, or time, such as touchstone moments and turning points in the author's life. The author of a memoir may be referred to as a memoirist or a memorialist.

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Nonfiction in the context of Academic writing

Academic writing or scholarly writing refers primarily to nonfiction writing that is produced as part of academic work in accordance with the standards of a particular academic subject or discipline, including:

Academic writing typically uses a more formal tone and follows specific conventions. Central to academic writing is its intertextuality, or an engagement with existing scholarly conversations through meticulous citing or referencing of other academic work, which underscores the writer's participation in the broader discourse community. However, the exact style, content, and organization of academic writing can vary depending on the specific genre and publication method. Despite this variation, all academic writing shares some common features, including a commitment to intellectual integrity, the advancement of knowledge, and the rigorous application of disciplinary methodologies.

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Nonfiction in the context of Satire

Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film.A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question.

Satire is found in many artistic forms of expression, including internet memes, literature, plays, commentary, music, film and television shows, and media such as lyrics.

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Nonfiction in the context of Document

A document is a written, drawn, presented, or memorialized representation of thought, often the manifestation of non-fictional, as well as fictional, content. The word originates from the Latin Documentum, which denotes a "teaching" or "lesson": the verb doceō denotes "to teach". In the past, the word was usually used to denote written proof useful as evidence of a truth or fact. In the Computer Age, "document" usually denotes a primarily textual computer file, including its structure and format, e.g. fonts, colors, and images. Contemporarily, "document" is not defined by its transmission medium, e.g., paper, given the existence of electronic documents. "Documentation" is distinct because it has more denotations than "document". Documents are also distinguished from "realia", which are three-dimensional objects that would otherwise satisfy the definition of "document" because they memorialize or represent thought; documents are considered more as two-dimensional representations. While documents can have large varieties of customization, all documents can be shared freely and have the right to do so, creativity can be represented by documents, also. History, events, examples, opinions, stories etc. all can be expressed in documents.

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Nonfiction in the context of Margaret Atwood

Margaret Eleanor Atwood (born November 18, 1939) is a Canadian novelist, poet, literary critic, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of nonfiction, nine collections of short fiction, eight children's books, two graphic novels, and a number of small press editions of both poetry and fiction. Her best-known work is the 1985 dystopian novel The Handmaid's Tale. Atwood has won numerous awards and honors for her writing, including two Booker Prizes, the Arthur C. Clarke Award, the Governor General's Award, the Franz Kafka Prize, the Prince of Asturias Award for literature, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television.

Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and power politics. Many of her poems are inspired by myths and fairy tales which interested her from a very early age.

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Nonfiction in the context of Nature writing

Nature writing is nonfiction or fiction prose about the natural environment. It often draws heavily from scientific information and facts while also incorporating philosophical reflection upon various aspects of nature. Works are frequently written in the first person and include personal observations.

Nature writing encompasses a wide variety of works, ranging from those that place primary emphasis on natural history (such as field guides) to those focusing on philosophical interpretation. It includes poetry, essays of solitude or escape, as well as travel and adventure writing.

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Nonfiction in the context of George Orwell bibliography

The bibliography of George Orwell includes journalism, essays, novels, and non-fiction books written by the British writer Eric Blair (1903–1950), either under his own name or, more usually, under his pen name George Orwell. Orwell was a prolific writer on topics related to contemporary English society and literary criticism, who has been declared "perhaps the 20th century's best chronicler of English culture." His non-fiction cultural and political criticism constitutes the majority of his work, but Orwell also wrote in several genres of fictional literature.

Orwell is best remembered for his political commentary as a left-wing anti-totalitarian. As he explained in the essay "Why I Write" (1946), "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it." To that end, Orwell used his fiction as well as his journalism to defend his political convictions. He first achieved widespread acclaim with his fictional novella Animal Farm and cemented his place in history with the publication of Nineteen Eighty-Four shortly before his death. While fiction accounts for a small fraction of his total output, these two novels are his best-selling works, having sold almost fifty million copies in sixty-two languages by 2007—more than any other pair of books by a twentieth-century author.

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Nonfiction in the context of Casey Cep

Casey Cep is an American author and journalist. Cep is a staff writer at The New Yorker, and her work has appeared in The New York Times, The Paris Review, The New Republic, and other publications. Cep's debut non-fiction book, published by Knopf, Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee (2019), tells the story of how Harper Lee worked on, but ultimately failed to publish, an account of a murder trial that happened in Alabama in 1977.

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Nonfiction in the context of Science book

A science book is a work of nonfiction, usually written by a scientist, researcher, or professor like Stephen Hawking (A Brief History of Time), or sometimes by a non-scientist such as Bill Bryson (A Short History of Nearly Everything). Usually these books are written for a wide audience presumed to have a general education rather than a specifically scientific training, as opposed to the very narrow audience that a scientific paper would have, and are therefore referred to as popular science. As such, they require considerable talent on the part of the author to sufficiently explain difficult topics to people who are totally new to the subject, and a good blend of storytelling and technical writing. In the UK, the Royal Society Prizes for Science Books are considered to be the most prestigious awards for science writing. In the US, the National Book Awards briefly had a category for science writing in the 1960s, but now they just have the broad categories of fiction and nonfiction.

There are many disciplines that are well explained to lay people through science books. A few examples include Carl Sagan on astronomy, Jared Diamond on geography, Stephen Jay Gould and Richard Dawkins on evolutionary biology, David Eagleman on neuroscience, Donald Norman on usability and cognitive psychology, Steven Pinker, Noam Chomsky, and Robert Ornstein on linguistics and cognitive science, Donald Johanson and Robert Ardrey on paleoanthropology, and Desmond Morris on zoology and anthropology, and Fulvio Melia on black holes.

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