Friedrich Justin Bertuch in the context of "Mythological creatures"

A legendary creature is a type of supernatural entity that is described in folklore (including myths and legends), and may be featured in historical accounts before modernity, but has not been scientifically shown to exist.

In the classical era, monstrous creatures such as the Cyclops and the Minotaur appear in heroic tales for the protagonist to destroy. Other creatures, such as the unicorn, were claimed in accounts of natural history by various scholars of antiquity. Some legendary creatures are hybrid beasts or Chimeras.

The Weimar Princely Free Drawing School (German: Fürstliche freie Zeichenschule Weimar) was an art and literature educational establishment. It was set up in 1776 in Weimar by the scholar and ducal private-secretary Friedrich Justin Bertuch (1747–1822) and the painter Georg Melchior Kraus (1737–1806), as part of Weimar Classicism. It was financed by the young Charles Augustus, Grand Duke of Saxe-Weimar-Eisenach and heavily promoted by Goethe, who also taught there. Among its pupils were Charles Augustus's future mistress Karoline Jagemann. It lasted until 1930.

As Weimar's Geheimer Rat had oversight over the school from 1788 to 1832, it is not to be confused with the Großherzoglich-Sächsischen Kunstschule Weimar (set up in 1860), the original version of the Weimarer Kunsthochschule. The school's classrooms were originally housed in the Roten Schloss, moving into the Fürstenhaus in 1807 and later moving partly to the Esplanade and partly to the Großen Jägerhaus. From 1824/25, under the oversight of custodian and painter Louise Seidler (1786–1866), it also housed the grand-ducal art collection.

Georg Melchior Kraus (26 July 1737 in Frankfurt am Main – 5 November 1806 in Weimar) was a German painter. He was a co-founder of the Weimar Princely Free Drawing School, together with Friedrich Justin Bertuch, in 1776.

The phoenix (sometimes spelled phenix in American English; see spelling differences) is a legendary immortal bird that cyclically regenerates or is otherwise born again. Originating in Greek mythology, it has analogs in many cultures, such as Egyptian and Persian mythology. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, while others say that it simply burns to death and decomposes before being born again. In the Motif-Index of Folk-Literature, a tool used by folklorists, the phoenix is classified as motif B32.

The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time, the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Over time, extending beyond its origins, the phoenix could variously "symbolize renewal in general as well as the sun, time, the Roman Empire, metempsychosis, consecration, resurrection, life in the heavenly Paradise, Christ, Mary, virginity, the exceptional man, and certain aspects of Christian life". Some scholars have claimed that the poem De ave phoenice may present the mythological phoenix motif as a symbol of Christ's resurrection.