The Palestrina Mosaic or Nile mosaic of Palestrina is an ancient floor mosaic depicting the Nile in its passage from the Blue Nile to the Mediterranean. The mosaic was part of a Classical sanctuary-grotto in Palestrina, a town east of Ancient Rome, in central Italy. It has a width of 5.85 metres and a height of 4.31 metres and provides a glimpse into the Roman fascination with ancient Egyptian exoticism in the 1st century BC, both as an early manifestation of the role of Egypt in the Roman imagination and an example of the genre of "Nilotic landscape", with a long iconographic history in Egypt and the Aegean.
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👉 Nile mosaic of Palestrina in the context of Ancient Egypt in the Western imagination
The culture of ancient Egypt has fascinated outsiders from its own day well into the modern day, long after that culture was subsumed first by Greco-Roman, then Christian, then Muslim currents. And while the concept of the "Western world" owes its origin to Christian writers of early medieval Europe and Asia Minor, those same writers were keen to imagine themselves as part of—or heirs to—a cultural continuum that began with classical antiquity and evolved to include the Biblical history of the Jews.
In Western cultures' collective imaginings, the idea of "ancient Egypt" has developed and changed over millennia no less than those cultures themselves changed. From classical and late antiquity through the Middle Ages, the Renaissance, the Enlightenment, and into the modern era, this imagined "Egypt" has served as a powerful symbol, variously representing profound antiquity, esoteric wisdom, evil, the exotic, or timeless grandeur.
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Nile mosaic of Palestrina in the context of Ptolemaic army
The Ptolemaic army was the army of the Ptolemaic Greek kings that ruled Egypt from 305 to 30 BC. Like most of the other armies of the Diadochi, it was very much Macedonian in style, with the use of the long pike (sarissa) in a deep phalanx formation. Despite the strength of the Ptolemaic army, evinced in 217 BC with the victory over the Seleucids at the Battle of Raphia, the Ptolemaic Kingdom itself fell into decline and by the time of Julius Caesar, it was but a mere client kingdom of the Roman Republic. The army by the time of Caesar’s campaigns in the eastern Mediterranean was a mere shadow of its former self: generally, a highly disorganized assemblage of mercenaries and other foreign troops.