New York Drama Critics' Circle in the context of Time Out New York

Albert Maurice Hackett (February 16, 1900 – March 16, 1995) was an American actor, dramatist and screenwriter most noted for his collaborations with his partner and wife Frances Goodrich. Their film work includes the first three installments in the Thin Man series, It's a Wonderful Life, Easter Parade, Father of the Bride and Seven Brides for Seven Brothers.

Goodrich and Hackett won a Pulitzer Prize for Drama and the New York Drama Critics' Circle award for their play The Diary of Anne Frank. They received four nominations for the Academy Award for Best Adapted Screenplay.

The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of The Gentleman Caller.

The play premiered in Chicago on 26 December 1944. After a shaky start, it was championed by Chicago critics Ashton Stevens and Claudia Cassidy, whose enthusiasm helped build audiences so the producers could move the play to Broadway where it won the New York Drama Critics' Circle Award in 1945. The Glass Menagerie was Williams' first successful play; he went on to become one of America's most highly regarded playwrights.

How to Succeed in Business Without Really Trying is a 1961 musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name. The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.

The musical, starring Robert Morse and Rudy Vallée, opened at the 46th Street Theatre on Broadway in October 1961, running for 1,417 performances. The show won seven Tony Awards, the New York Drama Critics' Circle award, and the 1962 Pulitzer Prize for Drama.