New Wave science fiction in the context of "Pamela Zoline"

Slipstream is a literary genre or category of speculative fiction that blends together science fiction, fantasy, and literary fiction, or otherwise does not remain within conventional boundaries of genre and narrative. It directly extends from the experimentation of the New Wave science fiction movement while also borrowing from fantasy, psychological fiction, philosophical fiction and other genres or styles of literature.

Historical examples of the genre were partially codified in Feeling Very Strange: The Slipstream Anthology; contemporary examples include Peaces by Helen Oyeyemi, The Dangers of Smoking in Bed by Mariana Enríquez, and The Butterfly Lampshade by Aimee Bender.

Science fantasy (abbreviated as sci-fantasy) is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy. In a conventional science fiction story, the world is presented as grounded by the laws of nature and comprehensible by science, while a conventional fantasy story contains mostly supernatural elements that do not obey the scientific laws of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science–like explanations of any supernatural elements.

During the Golden Age of Science Fiction, science fantasy stories were seen in sharp contrast to the terse, scientifically plausible material that came to dominate mainstream science fiction, typified by the magazine Astounding Science Fiction. Although science fantasy stories at that time were often relegated to the status of children's entertainment, their freedom of imagination and romance proved to be an early major influence on the "New Wave" writers of the 1960s, who became exasperated by the limitations of hard science fiction.

Cyberpunk is a subgenre of science fiction set in a dystopian future. It is characterized by its focus on a combination of "low-life and high tech". It features a range of futuristic technological and scientific achievements, including artificial intelligence and cyberware, which are juxtaposed with societal collapse, dystopia or decay. A significant portion of cyberpunk can be traced back to the New Wave science fiction movement of the 1960s and 1970s. During this period, prominent writers such as Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison explored the impact of technology, drug culture, and the sexual revolution. These authors diverged from the utopian inclinations prevalent in earlier science fiction.

Comics exploring cyberpunk themes began appearing as early as Judge Dredd, first published in 1977. Released in 1984, William Gibson's influential debut novel Neuromancer helped solidify cyberpunk as a genre, drawing influence from punk subculture and early hacker culture. Frank Miller's Ronin is an example of a cyberpunk graphic novel. Other influential cyberpunk writers included Bruce Sterling and Rudy Rucker. The Japanese cyberpunk subgenre began in 1982 with the debut of Katsuhiro Otomo's manga series Akira, with its 1988 anime film adaptation (also directed by Otomo) later popularizing the subgenre.

James Graham Ballard (15 November 1930 – 19 April 2009) was an English novelist and short-story writer, satirist and essayist known for psychologically provocative works of fiction that explore the relations between human psychology, technology, sex and mass media. Ballard first became associated with New Wave science fiction for post-apocalyptic novels such as The Drowned World (1962). He later courted controversy with the short-story collection The Atrocity Exhibition (1970), which includes the 1968 story "Why I Want to Fuck Ronald Reagan", and later the novel Crash (1973), a story about car-crash fetishists.

In 1984, Ballard won broad critical recognition for the war novel Empire of the Sun, a semi-autobiographical story of the experiences of a British boy during the Japanese occupation of Shanghai. Three years later, the American film director Steven Spielberg adapted the novel into a film of the same name. The novelist's journey from youth to mid-age is chronicled, with fictional inflections, in The Kindness of Women (1991), and in the autobiography Miracles of Life (2008). Some of Ballard's early novels have been adapted as films, including Crash (1996), directed by David Cronenberg, and High-Rise (2015), an adaptation of the 1975 novel directed by Ben Wheatley.

Michael John Moorcock (born 18 December 1939) is an English writer, originally of science fiction and fantasy, who has published many well-received literary novels as well as comic thrillers, graphic novels and non-fiction. He has worked as an editor and is also a successful musician. He is best known for his novels about the character Elric of Melniboné, which were a seminal influence on the field of fantasy in the 1960s and 1970s.

As editor of the British science fiction magazine New Worlds, from May 1964 until March 1971 and then again from 1976 to 1996, Moorcock fostered the development of the science fiction "New Wave" in the UK and indirectly in the United States, leading to the advent of cyberpunk. His publication of Bug Jack Barron (1969) by Norman Spinrad as a serial novel was notorious; in Parliament, some British MPs condemned the Arts Council of Great Britain for funding the magazine. In 2008, The Times named Moorcock in its list of "The 50 greatest British writers since 1945".

Harlan Jay Ellison (May 27, 1934 – June 28, 2018) was an American writer, known for his prolific and influential work in New Wave speculative fiction and for his outspoken, combative personality. His published works include more than 1,700 short stories, novellas, screenplays, comic-book scripts, teleplays, essays, and a wide range of criticism covering literature, film, television, and print media.

Some of his best-known works include the 1967 Star Trek episode "The City on the Edge of Forever", which is regarded as one of the best episodes in the Star Trek franchise (he subsequently wrote a book about the experience that includes his original teleplay), his A Boy and His Dog cycle (which was made into a film), and his short stories "I Have No Mouth, and I Must Scream" (later adapted by Ellison into a video game) and "'Repent, Harlequin!' Said the Ticktockman". He was also editor and anthologist for Dangerous Visions (1967) and Again, Dangerous Visions (1972). Ellison won numerous awards, including multiple Hugos, Nebulas, and Edgars.