New South Wales Government Architect in the context of "Chief Secretary's Building"

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👉 New South Wales Government Architect in the context of Chief Secretary's Building

The Chief Secretary's Building (originally and still commonly known as the Colonial Secretary's Building) is a heritage-listed state government administration building of the Victorian Free Classical architectural style located at 121 Macquarie Street, 65 Bridge Street, and at 44–50 Phillip Street in the Sydney central business district of New South Wales, Australia. The ornate five-storey public building was designed by Colonial Architect James Barnet and built in two stages, the first stages being levels one to four completed between 1873 and 1881, with Walter Liberty Vernon completing the second stage between 1894 and 1896 when the mansard at level five and the dome were added.

The sandstone building was the seat of colonial administration, has been used continuously by the Government of New South Wales, and even today holds the office of the Governor of New South Wales. Its main occupant is the Industrial Relations Commission of New South Wales; several of the larger rooms are now courtrooms.

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New South Wales Government Architect in the context of George McRae

George McRae (10 September 1857 – 16 June 1923) was a Scottish-Australian architect who migrated from his native Edinburgh to Sydney, where he became Government Architect of New South Wales and designed some of Sydney's best-known buildings, including completion of the Sydney Town Hall, the Queen Victoria Building, and the lower entrance to Taronga Zoo.

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New South Wales Government Architect in the context of Peter Hall (architect)

Peter Brian Hall (16 May 1931 – 19 May 1995) was an Australian architect active in Sydney and elsewhere from the 1950s to the early 1990s. Schooled in the tenets of modernism his practice was also informed by a strong sense of the importance of function and context in design. During his early years Hall was the recipient of numerous education scholarships and bursaries, most notably a traineeship and then employment with the office of the New South Wales Government Architect, a source of highly creative architecture during the 1960s. However, Hall is best known for completing the Sydney Opera House after the resignation of its original architect, Jørn Utzon, in February 1966. At the age of 34, he was invited by the Government Architect to act as design architect in the newly formed consortium Hall Todd & Littlemore to resolve the issues which had led to Utzon's resignation, principally the design of all the interiors and the enclosing glass walls of the unfinished building. The Opera House opened in October 1973 and despite its subsequent success as Sydney's most popular performance venue, understanding of the work of Hall and his team has been coloured by the controversial circumstances of their appointment. For Hall, both personally and professionally, Utzon's legacy was a poisoned chalice – an unprecedented challenge to complete the building to a standard commensurate with its sublime exterior, but one that brought little recognition during his lifetime.

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