New Criticism in the context of "Close reading"

Play Trivia Questions online!

or

Skip to study material about New Criticism in the context of "Close reading"




⭐ Core Definition: New Criticism

New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book The New Criticism.

The works of Cambridge scholar I. A. Richards, especially his Practical Criticism, The Principles of Literary Criticism and The Meaning of Meaning, which offered what was claimed to be an empirical scientific approach, were important to the development of a New Critical methodology. Cleanth Brooks, John Crowe Ransom, W. K. Wimsatt, and Monroe Beardsley also made significant contributions to New Criticism. It was Wimsatt and Beardsley who introduced the ideas of intentional fallacy and affective fallacy. Also very influential were the critical essays of T. S. Eliot, such as "Tradition and the Individual Talent" and "Hamlet and His Problems", in which Eliot developed his notions of the "theory of impersonality" and "objective correlative" respectively. Eliot's evaluative judgments, such as his condemnation of John Milton and John Dryden, his liking for the so-called metaphysical poets, and his insistence that poetry must be impersonal, greatly influenced the formation of the New Critical canon.

↓ Menu

In this Dossier

New Criticism in the context of Allen Tate

John Orley Allen Tate (November 19, 1899 – February 9, 1979), known professionally as Allen Tate, was an American poet, essayist, social commentator, and poet laureate from 1943 to 1944. Among his best known works are the poems "Ode to the Confederate Dead" (1928) and "The Mediterranean" (1933), and his only novel The Fathers (1938). He is associated with New Criticism, the Fugitives and the Southern Agrarians.

↑ Return to Menu

New Criticism in the context of Cleanth Brooks

Cleanth Brooks (/ˈklænθ/ KLEE-anth; October 16, 1906 – May 10, 1994) was an American literary critic and professor. He is best known for his contributions to New Criticism in the mid-20th century and for revolutionizing the teaching of poetry in American higher education. His best-known works, The Well Wrought Urn: Studies in the Structure of Poetry (1947) and Modern Poetry and the Tradition (1939), argue for the centrality of ambiguity and paradox as a way of understanding poetry. With his writing, Brooks helped to formulate formalist criticism, emphasizing "the interior life of a poem" (Leitch 2001) and codifying the principles of close reading.

Brooks was also the preeminent critic of Southern literature, writing classic texts on William Faulkner, and co-founder of the influential journal The Southern Review (Leitch 2001) with Robert Penn Warren.

↑ Return to Menu

New Criticism in the context of The Well Wrought Urn

The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text in the New Critical school of literary criticism. The title contains an allusion to the fourth stanza of John Donne's poem, "The Canonization", which is the primary subject of the first chapter of the book.

↑ Return to Menu

New Criticism in the context of Fugitives (poets)

The Fugitives, also known as the Fugitive Poets, is the name given to a group of poets and literary scholars at Vanderbilt University in Nashville, Tennessee, who published a literary magazine from 1922 to 1925 called The Fugitive. The group, primarily driven by Robert Penn Warren, John Crowe Ransom, Donald Davidson, and Allen Tate, formed a major school of twentieth century poetry in the United States. With it, a major period of modern Southern literature began. Their poetry was formal and featured traditional prosody and concrete imagery often from experiences of the rural south. The group has some overlap with two later movements: Southern Agrarians and New Criticism.

↑ Return to Menu

New Criticism in the context of Robert Penn Warren

Robert Penn Warren (April 24, 1905 – September 15, 1989) was an American poet, novelist, literary critic and professor at Yale University. He was one of the founders of New Criticism. He was also a charter member of the Fellowship of Southern Writers. He founded the literary journal The Southern Review with Cleanth Brooks in 1935. He received the 1947 Pulitzer Prize for the Novel for All the King's Men (1946) and the Pulitzer Prize for Poetry in 1958 and 1979. He is the only person to have won Pulitzer Prizes for both fiction and poetry. Yale awarded Warren an honorary Doctor of Letters degree in 1973.

↑ Return to Menu

New Criticism in the context of Ivor Richards

Ivor Armstrong Richards CH (26 February 1893 – 7 September 1979), known as I. A. Richards, was an English educator, literary critic, poet, and rhetorician. His work contributed to the foundations of New Criticism, a formalist movement in literary theory which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained and self-referential æsthetic object.

Richards' intellectual contributions to the establishment of the literary methodology of New Criticism are presented in the books The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923), by C. K. Ogden and I. A. Richards, Principles of Literary Criticism (1924), Practical Criticism (1929), and The Philosophy of Rhetoric (1936).

↑ Return to Menu