New-age music in the context of "Flute"

A film score is original music written specifically to accompany a film or a television program. The score consists of a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and that music is typically referred to as either the soundtrack or incidental music.

Film scores encompass an enormous variety of styles of music depending on the nature of the films they accompany. While the majority of scores are orchestral works rooted in Western classical music, many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements, and many scores written today feature a hybrid of orchestral and electronic instruments.

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. Often "peaceful" sounding and lacking composition, beat, and/or structured melody, ambient music uses textural layers of sound that can reward both passive and active listening, and encourage a sense of calm or contemplation. The genre evokes an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and some works use sustained or repeated notes, as in drone music. Bearing elements associated with new-age music, instruments such as the piano, strings and flute may be emulated through a synthesizer.

The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, Jamaican dub music and German electronic music, but was prominently named and popularized by British musician Brian Eno in 1978 with his album Ambient 1: Music for Airports; Eno opined that ambient music "must be as ignorable as it is interesting", however, in early years, there were artists that were pioneers in this genre, like Tangerine Dream, Klaus Schulze, Wendy Carlos, Kraftwerk, etc. It saw a revival towards the late 1980s with the prominence of house and techno music, growing a cult following by the 1990s.

Ray of Light is the seventh studio album by American singer-songwriter Madonna, released on February 22, 1998, by Maverick Records. A major stylistic and aesthetic departure from her earlier work, Bedtime Stories (1994), Ray of Light is an electronica, trip hop, techno-pop and new-age record which incorporates multiple genres, including ambient, house, rock and classical. Mystical themes are strongly present in the music and lyrics as a result of Madonna embracing Kabbalah, her study of Hinduism and Buddhism, and her daily practice of Ashtanga yoga.

After giving birth to her first child, Madonna started working on the album with producers Babyface and Patrick Leonard. Following failed sessions with them, Madonna pursued a new musical direction with English producer William Orbit, which resulted in a much more experimental sound. The recording process was the longest of Madonna's career, and she experienced problems with Orbit's hardware arrangement, which would break down and cause delays until it could be repaired.

Clannad (Irish pronunciation: [ˈklˠan̪ˠəd̪ˠ]) were an Irish band formed in 1970 in Gweedore, County Donegal, by siblings Ciarán, Pól and Máire (Moya) Uí Bhraonáin (in English, Brennan) and their twin uncles Noel and Pádraig Ó Dúgáin (Duggan). They have adopted various musical styles throughout their history. Beginning as an acoustic folk group mainly performing rearranged traditional Irish songs in Irish, they expanded their sound with original songs in English, vocal harmonies, electronic keyboards, and elements of rock, Celtic, new age, smooth jazz, and Gregorian chant.

Initially known as Clann as Dobhar ('Family from Dore'), they shortened their name to Clannad in 1973. By 1979 they had released three albums and toured Europe and the US. From 1980 to 1982 they operated as a six-piece with their sister and niece Eithne (Enya). In 1982, they gained international attention with their single "Theme from Harry's Game". They experimented with new age and pop-influenced sounds in the 1980s and 1990s and their music came to be defined as almost purely Celtic, making them innovators of that genre. In 1997, after 15 albums, they took a break and pursued solo projects. The band regrouped in 2007 as a four-piece with Moya (who adopted that spelling instead of Máire in 2002), Ciarán, Noel, and Pádraig and completed a world tour in 2008. In 2013, Pól rejoined and they released their first studio album in fifteen years. Pádraig Duggan died in 2016. The remaining group embarked on their farewell tour in 2020 as a quartet.

The music of Tibet (Chinese: 藏族音乐) reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture.

The new-age 'singing bowl' music marketed in the West as 'Tibetan music' is of 1970s US origin.