Nell Gwyn in the context of "Stuart Restoration"

The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The present building, opened in 1812, is the most recent of four theatres that have stood at the location since 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music).

The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. It was initially known as "Theatre Royal in Bridges Street". The theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn and Charles Hart. In 1672, the theatre caught fire, and Killigrew built a larger theatre on the same plot, renamed the "Theatre Royal in Drury Lane", which opened in 1674. This building lasted nearly 120 years, under the leaderships of Colley Cibber, David Garrick and Richard Brinsley Sheridan, the last of whom employed Joseph Grimaldi as the theatre's resident Clown.

Charles Beauclerk, 1st Duke of St. Albans, KG (8 May 1670 – 10 May 1726) was an illegitimate son of King Charles II of England by his mistress Nell Gwyn.

Duke of St Albans is a title in the Peerage of England. It was created in 1684 for Charles Beauclerk, 1st Earl of Burford, then 14 years old. King Charles II had accepted that Burford was his illegitimate son by Nell Gwyn, an actress, and awarded him the dukedom just as he had conferred those of Monmouth, Southampton, Grafton, Northumberland, and Richmond and Lennox on his other illegitimate sons who married.

The subsidiary titles of the Duke are Earl of Burford, in the County of Oxford (1676), Baron Heddington, in the same (1676) and Baron Vere, of Hanworth in the County of Middlesex (1750). The Earldom and the Barony of Heddington are in the Peerage of England, and the Barony of Vere is in the Peerage of Great Britain. The dukes hold the hereditary title of Grand Falconer of England, and until the end of the 18th century they were Hereditary Registrars of the Court of Chancery.

In the English-speaking world, Carolean era refers to the reign of Charles II (1660–1685) and usually refers to the music and arts of the time period. It is better known as The Restoration. This era followed the Interregnum, the time period when there was no monarch. The period was noted for the flourishing of the arts following the demise of The Protectorate. It ended with the Glorious Revolution of 1688 when James II of England & VII of Scotland went into exile.

The Carolean era should not be confused with the Caroline era, which refers to the reign of Charles II's father, Charles I (1625–1649). The phrase came into use again following the accession of King Charles III.