Neil Sedaka in the context of "Laughter in the Rain"

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⭐ Core Definition: Neil Sedaka

Neil Sedaka (/səˈdækə/; born March 13, 1939) is an American singer, songwriter and pianist. Since his music career began in 1957, he has sold millions of records worldwide and has written or co-written over 500 songs for himself and other artists, collaborating mostly with lyricists Howard "Howie" Greenfield and Phil Cody.

After a short-lived tenure as a founding member of the doo-wop group the Tokens, Sedaka achieved a string of hit singles over the late 1950s and early 1960s, including "Oh! Carol" (1959), "Calendar Girl" (1960), "Happy Birthday Sweet Sixteen" (1961) and "Breaking Up Is Hard to Do" (1962). His popularity declined by the mid-1960s, but was revived in the mid-1970s, solidified by the 1975 US Billboard Hot 100 number ones "Laughter in the Rain" and "Bad Blood". Sedaka maintained a successful career as a songwriter, penning hits for other artists including "Stupid Cupid" (Connie Francis), "(Is This the Way to) Amarillo" (Tony Christie) and "Love Will Keep Us Together" (Captain & Tennille). He was inducted into the Songwriters Hall of Fame in 1983 and continues to perform, mounting mini-concerts on social media during the COVID-19 pandemic.

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Neil Sedaka in the context of Tin Pan Alley

Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. Originally, it referred to a specific location on West 28th Street, between Fifth and Sixth Avenues in the Flower District of Manhattan, as commemorated by a plaque on 28th Street between Broadway and Sixth. Several buildings on Tin Pan Alley are protected as New York City designated landmarks, and the section of 28th Street from Fifth to Sixth Avenue is also officially co-named Tin Pan Alley.

The start of Tin Pan Alley is usually dated to about 1885, when a number of music publishers set up shop in the same district of Manhattan. The end of Tin Pan Alley is less clear cut. Some date it to the start of the Great Depression in the 1930s when the phonograph, radio, and motion pictures supplanted sheet music as the driving force of American popular music, while others consider Tin Pan Alley to have continued into the 1950s when earlier styles of music were upstaged by the rise of rock and roll, which was centered on the Brill Building. Brill Building songwriter Neil Sedaka described his employer as being a natural outgrowth of Tin Pan Alley, in that the older songwriters were still employed in Tin Pan Alley firms while younger songwriters such as Sedaka found work at the Brill Building.

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