Nefertari in the context of "Goddess"

⭐ In the context of a goddess, which of the following themes is MOST commonly associated with their depiction across diverse cultures?

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⭐ Core Definition: Nefertari

Nefertari (also known as Nefertari Meritmut; Akkadian: Naptera) was an Egyptian queen and the first of the Great Royal Wives (or principal wives) of Ramesses the Great. She is one of the best known Egyptian queens, among such women as Cleopatra, Nefertiti, and Hatshepsut, and one of the most prominent not known or thought to have reigned in her own right. She was highly educated and able to both read and write hieroglyphs, a very rare skill at the time. She used these skills in her diplomatic work, corresponding with other prominent royals of the time. Her lavishly decorated tomb, QV66, is one of the largest and most spectacular in the Valley of the Queens. Ramesses also constructed a temple for her at Abu Simbel next to his colossal monument there.

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👉 Nefertari in the context of Goddess

A goddess is a female deity. In some faiths, a sacred female figure holds a central place in religious prayer and worship. For example, Shaktism (one of the three major Hindu sects), holds that the ultimate deity, the source of all reality, is Supreme Goddess (Mahaiia) and in some forms of Tantric Shaivism, the pair of Shiva and Shakti are the ultimate principle (with the goddess representing the active, creative power of God). Meanwhile, in Vajrayana Buddhism, ultimate reality is often seen as being composed of two principles depicted as two deities in union (yab yum, "father-mother") symbolising the non-duality of the two principles of perfect wisdom (female) and skillful compassion (male). A single figure in a monotheistic faith that is female may be identified simply as god because of no need to differentiate by gender or with a diminutive. An experiment to determine the effect of psychedelics on subjects composed of leaders from diverse religious groups revealed a general experience that the divine the subjects encountered was feminine.

Polytheist religions, including Polytheistic reconstructionists, honour multiple goddesses and gods, and usually view them as discrete, separate beings. These deities may be part of a pantheon, or different regions may have tutelary deities. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, devilish, or neuter gods.

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Nefertari in the context of QV66

QV66 is the tomb of Nefertari, the Great Wife of Pharaoh Ramesses II, in Egypt's Valley of the Queens. It was discovered by Ernesto Schiaparelli (the director of the Egyptian Museum in Turin) in 1904. Nefertari, which means "The most beautiful (one) among them", was Ramesses II's favorite wife; he went out of his way to make this obvious, referring to her as "the one for whom the sun shines" in his writings, built the Temple of Hathor at Abu Simbel to idolize her as a deity, and commissioned portraiture wall paintings. In the Valley of the Queens, Nefertari's tomb once held the mummified body and representative symbolisms of her, consistent with most Egyptian tombs of the period. Now, everything has been looted except for two thirds of the 5,200 square feet of wall paintings. For what still remains, these wall paintings characterized Nefertari's character. Her face received particular attention to emphasize her beauty, especially the shape of her eyes, the blush of her cheeks, and her eyebrows. Some paintings were full of lines and color of red, blue, yellow, and green that portrayed exquisite directions to navigating through the afterlife to paradise.

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Nefertari in the context of Abu Simbel

Abu Simbel is a historic site comprising two massive rock-cut temples in the village of Abu Simbel (Arabic: أبو سمبل), Aswan Governorate, Upper Egypt, near the border with Sudan. It is located on the western bank of Lake Nasser, about 230 km (140 mi) southwest of Aswan (about 300 km (190 mi) by road). The twin temples were originally carved out of the mountainside in the 13th century BC, during the 19th Dynasty reign of the Pharaoh Ramesses II. Their huge external rock relief figures of Ramesses II have become iconic. His wife, Nefertari, and children can be seen in smaller figures by his feet. Sculptures inside the Great Temple commemorate Ramesses II's heroic leadership at the Battle of Kadesh.

The complex was relocated in its entirety in 1968 to higher ground to avoid it being submerged by Lake Nasser, the Aswan Dam reservoir. As part of the International Campaign to Save the Monuments of Nubia, an artificial hill was made from a domed structure to house the Abu Simbel Temples, under the supervision of a Polish archaeologist, Kazimierz Michałowski, from the Polish Centre of Mediterranean Archaeology University of Warsaw.

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Nefertari in the context of Meritamen

Meritamen (also spelled Meritamon, Meritamun, Merytamen, Merytamun, Meryt-Amen; ancient Egyptian: Beloved of Amun) was a daughter and later Great Royal Wife of Pharaoh Ramesses the Great, born by his first queen Nefertari.

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