Nationalmuseum in the context of "Charles Robert Cockerell"

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⭐ Core Definition: Nationalmuseum

Nationalmuseum is the national gallery of fine arts of Sweden, located on the peninsula Blasieholmen in central Stockholm.

The museum's operations stretch far beyond the borders of Blasieholmen, including the National Portrait Gallery collection at Gripshom, the Gustavsberg porcelain museum, several castle collections and the Swedish Institute in Paris (Institut Tessin). In the summer of 2018, Nationalmuseum Jamtli opened in Östersund to exhibit parts of the collection in the north of Sweden.

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👉 Nationalmuseum in the context of Charles Robert Cockerell

Charles Robert Cockerell RA (27 April 1788 – 17 September 1863) was an English architect, archaeologist and writer. While travelling in Greece he took part in the 1811 removal of the Temple of Aphaia’s pedimental sculptures on Aegina and the 1812 removal of the Bassae frieze, actions later described as plunder and antiquities smuggling. The Aphaia marbles were later acquired by Crown Prince Ludwig of Bavaria for the Glyptothek in Munich, and the Bassae frieze was purchased by the British Museum at a London auction in 1815.

He studied architecture under Robert Smirke and embarked on an extended Grand Tour lasting seven years, mainly in Greece. After returning to London he established a successful architectural practice. Appointed Professor of Architecture at the Royal Academy of Arts, he served between 1839 and 1859. Cockerell wrote widely on archaeology and architecture, and in 1848 became the first recipient of the Royal Gold Medal.

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Nationalmuseum in the context of Midvinterblot

Midvinterblot (Swedish for "Midwinter sacrifice") is a painting by the Swedish painter Carl Larsson, created in 1915 for the hall of the central staircase in Nationalmuseum in Stockholm. It has been called Sweden's most controversial painting.

The painting depicts a legend from Norse mythology in which the Swedish king Domalde is sacrificed to avert famine. After long debate, the painting was rejected by the museum; but the controversy resurfaced in the late 20th century, and the painting finally was placed where Carl Larsson had intended.

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Nationalmuseum in the context of Blasieholmen

Blasieholmen is a peninsula in central Stockholm, Sweden. It is located east of Kungsträdgården. Originally a small island, named Käpplingen, it became a peninsula, connected to Norrmalm, during the 17th century. Among the buildings at Blasieholmen are the Nationalmuseum, hotels and office buildings. The Skeppsholmsbron bridge connects Blasieholmen to the island of Skeppsholmen. The Blasieholmen Church was demolished in 1964.

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Nationalmuseum in the context of Institut Tessin

The Institut Tessin, also known as the Centre culturel suédois, is a museum in Paris dedicated to the history of Franco-Swedish artistic exchanges. It is located in the Hôtel de Marle at 11, rue Payenne in the city's 3rd arrondissement, and is open weekdays except Monday; admission is free.

The museum was established by Gunnar W. Lundberg, art historian and cultural advisor to Sweden's embassy in Paris. It is operated by the Swedish Institute, under the responsibility of the Nationalmuseum in Stockholm, and is the only Swedish culture center located outside of Sweden. The museum contains a permanent collection of works from the 17th to the 20th century, including approximately 600 paintings and more than 5000 books, drawings, prints, and watercolors, as well as sculptures and medals, with notable works by Gustaf Lundberg, Alexander Roslin, Adolf Ulrik Wertmüller, and Louis Jean Desprez. It also contains a theater, library, Swedish cafe, five studios for artists and Swedish researchers, and space for temporary exhibitions.

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Nationalmuseum in the context of Brussels tapestry

Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the Duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.

The only millefleur tapestry to survive together with a record of its payment was a large heraldic millefleur carpet of very high quality made for Duke Charles the Bold of Burgundy in Brussels, of which part is now in the Bern Historical Museum. Sophie Schneebalg-Perelman's attribution to Brussels of The Lady and the Unicorn at the Musée de Cluny may well be correct.

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Nationalmuseum in the context of Bénigne Gagneraux

Bénigne Gagneraux (1756 at Dijon – 1795), was first instructed in the school at Dijon under François Devosge, from whence he proceeded to Rome, where he acquired a reputation by his picture of the Meeting of Gustavus III. of Sweden with Pope Pius VI., which is now in the King's Palace at Stockholm. In the Dijon Museum are pictures of Soranus and Servilius, Battle of Senef, Passage of the Rhine by the French Army under Condé, a Bacchanal, a Cavalry Charge, and a Triumph of Neptune. Owing to the disturbances in Rome he quit that city, and retired to Florence, where he died in 1795. In the Uffizi at Florence are his own portrait, a Battle Scene, and a Lion Hunt.

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Nationalmuseum in the context of Thor's Fight with the Giants

Thor's Fight with the Giants (Swedish: Tors strid med jättarna) is an 1872 painting by the Swedish artist Mårten Eskil Winge. It depicts the Norse god Thor in a battle against the jötnar. The thunder god rides his chariot pulled by the goats Tanngrisnir and Tanngnjóstr, wears his belt Megingjörð, and swings his hammer Mjölnir, which is wreathed in lightning. The painting was made using oil on canvas, has the dimensions 484 x 333 centimeters, and belongs to Nationalmuseum in Stockholm.

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Nationalmuseum in the context of Skeppsholmen

Skeppsholmen (Ships' Islet) is one of the islands of Stockholm. It is connected with Blasieholmen and Kastellholmen by bridges. It is accessible by foot from Kungsträdgården, past the Grand Hôtel and Nationalmuseum, by bus number 65, or by boat from Slussen, Djurgården or Nybroplan.

Positioned strategically at the Baltic Sea entrance to Stockholm, it has traditionally been the location of several military buildings. Today, the military presence is low, and several museums can be found there instead, such as the Museum of Modern Art (Moderna museet), the main modern art museum of Stockholm, the architectural museum in the same building, and the East-Asian museum (Östasiatiska Muséet). It is also home to the Teater Galeasen. On the southern shore is the old sailing ship af Chapman which is now used as a youth hostel. Stockholm Jazz Festival is a popular annual summer event held on Skeppsholmen.

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