National Museum of Damascus in the context of Synagogue of Dura-Europos


National Museum of Damascus in the context of Synagogue of Dura-Europos

⭐ Core Definition: National Museum of Damascus

The National Museum of Damascus (Arabic: الْمَتْحَفُ الْوَطَنِيُّ بِدِمَشْقَ) is a museum in the heart of Damascus, Syria. As the country's national museum as well as its largest, this museum covers the entire range of Syrian history over a span of over 11 millennia. It displays various important artifacts, relics and major finds most notably from Mari, Ebla and Ugarit, three of Syria's most important ancient archaeological sites. Established in 1919, during King Faisal's short-lived Arab Kingdom of Syria, the museum is the oldest cultural heritage institution in Syria.

Among the museum's highlights are, the Dura-Europos synagogue, a reconstructed synagogue dated to 245 AD, which was moved piece by piece to Damascus in the 1930s, and is noted for its vibrant and well preserved wall paintings and frescoes, as well as sculptures and textiles from central Palmyra, and statues of the Greek goddess of victory from southern Syria. The museum houses over 5000 cuneiform tablets, among them the first known alphabet in history, written down on a clay tablet, the Ugaritic alphabet. The museum is further adorned by 2nd-century murals, elaborate tombs, and the recently restored Lion of al-Lat, which originally stood guard at the National Museum of Palmyra, but was moved to Damascus for safeguarding.

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National Museum of Damascus in the context of Dura-Europos synagogue

The Dura-Europos synagogue was an ancient Jewish synagogue discovered in 1932 at Dura-Europos, Syria. The synagogue contained a forecourt and house of assembly with painted walls depicting people and animals, and a Torah shrine in the western wall facing Jerusalem. It was built backing on to the city wall, which was important in its survival. The last phase of construction was dated by an Aramaic inscription to 244 CE, placing it among just a handful of synagogues from antiquity discovered and unequivocally identified by archaeologists. It was unique among the many ancient synagogues that have emerged from archaeological excavations as the structure was preserved virtually intact, and it had extensive figurative wall-paintings, which in 1932 still came as a considerable surprise to scholars. The synagogue remains, including the murals, are now preserved in the National Museum of Damascus.

Dura-Europos was a small garrison and trading city on the river Euphrates, and usually on the frontier between the Eastern Roman Empire and the Parthian and finally the Sassanid Empires of Persia. It changed hands at various points but was Roman from 165 AD. Before the final Persian destruction of the town in 256–257 AD, parts of the synagogue which abutted the main city wall were apparently requisitioned and filled with sand as a defensive measure. The city was abandoned after its fall and never resettled, and the lower walls of the rooms remained buried and largely intact until excavated. The short measure of time during which it was used ensured that it would have limited impact upon Jewish or Christian art. The excavations also discovered very important wall-paintings from places of worship of Christianity at the Dura-Europos church. In addition, there were wall paintings edifying Mithraism, and fragmentary Christian texts in Hebrew.

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