National College of Art and Design in the context of European League of Institutes of the Arts


National College of Art and Design in the context of European League of Institutes of the Arts

⭐ Core Definition: National College of Art and Design

The National College of Art and Design (NCAD) is Ireland's oldest art institution, offering the largest range of art and design degrees at undergraduate and postgraduate level in the country. Originating as a drawing school in 1746, many of the most important Irish artists, designers and art educators have studied or taught in the college. NCAD has always been located in central Dublin, and in 1980 it relocated to the historic Liberties area. The College has around 950 full-time students and a further 600 pursuing part-time courses, and NCAD's students come from more than forty countries. NCAD is a Recognised College of University College Dublin. It is also a member of the European League of Institutes of the Arts.

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National College of Art and Design in the context of W. B. Yeats

William Butler Yeats (/jts/ YAYTS; 13 June 1865 – 28 January 1939) was an Irish poet, dramatist, writer and literary critic who was one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival and, along with John Millington Synge and Lady Gregory, founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature and later served two terms as a Senator of the Irish Free State.

A Protestant of Anglo-Irish descent, Yeats was born in Sandymount, Ireland. His father practised law and was a successful portrait painter. He was educated in Dublin and London and spent his childhood holidays in County Sligo. He studied poetry from an early age, when he became fascinated by Irish legends and the occult. While in London he became part of the Irish literary revival. His early poetry was influenced by John Keats, William Wordsworth, William Blake and many more. These topics feature in the first phase of his work, lasting roughly from his student days at the Metropolitan School of Art in Dublin until the end of the 19th century. His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood.

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