Natalia Romanovna Makarova (Russian: Ната́лия Рома́новна Мака́рова, born 21 November 1940) is a Russian prima ballerina and choreographer. The History of Dance, published in 1981, notes that "her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West."
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Natalia Makarova in the context of La Bayadère
La Bayadère (lit. 'the temple dancer'; Russian: Баядерка, romanized: Bayaderka) is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by Sergei Khudekov. The ballet was staged for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. La Bayadère was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on 4 February [O.S. 23 January] 1877. From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II The Kingdom of the Shades, which is one of the most celebrated pieces in all of classical ballet.
Nearly all modern versions of La Bayadère are derived from Vladimir Ponomarev and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to the present day. Outside of the Soviet Union, Natalia Makarova staged the first full-length production of La Bayadère in 1980 for American Ballet Theatre, a version that is itself derived from Ponomarev and Chabukiani's production of 1947.
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