Narrativity in the context of "History of film"

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⭐ Core Definition: Narrativity

Narrativity is the extent to which media tells a story, which is a storyteller's account of an event or a sequence of events leading to a transition from an initial state to a later state or outcome. There are four theoretical foundations of narrativity, represented by the notions of

  1. narrative content,
  2. narrative discourse,
  3. narrative transportation, and
  4. narrative persuasion.

Narrative content and discourse are the linguistic antecedents of narrativity. Narrative content reflects the linear sequence of events as characters live through them—that is, the backbone and structure describing who did what, where, when, and why. Narrative discourse represents how the story is told—that is, storytellers' use of literary devices to expand on the narrative content, such as emotional change over the course of the story line and sequencing of events to create drama. Narrative transportation is the engrossing, transformational experience of being swept away by a story. Narrative persuasion is the effect of narrative transportation, which manifests itself in story receivers' positive attitudes toward the story, story-consistent attitudes toward the experience described therein, and story-consistent intentions. The higher the quality of narrative content and discourse in a text, the greater its narrativity and its real-world implications, such as narrative transportation and persuasion, as van Laer, Escalas, Ludwig, and van den Hende show.

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Narrativity in the context of Film history

The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century.

The advent of film as an artistic medium is not clearly defined. There were earlier cinematographic screenings by others like the first showing of life sized pictures in motion 1894 in Berlin by Ottomar Anschütz; however, the commercial, public screening of ten Lumière brothers' short films in Paris on 28 December 1895, can be regarded as the breakthrough of projected cinematographic motion pictures. The earliest films were in black and white, under a minute long, without recorded sound, and consisted of a single shot from a steady camera. The first decade saw film move from a novelty, to an established mass entertainment industry, with film production companies and studios established throughout the world. Conventions toward a general cinematic language developed, with film editing, camera movements and other cinematic techniques contributing specific roles in the narrative of films.

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