Naive art in the context of "The Repast of the Lion"

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⭐ Core Definition: Naive art

Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). When this aesthetic is emulated by a trained artist, the result is sometimes called primitivism, pseudo-naïve art, or faux naïve art.

Unlike folk art, naïve art does not necessarily derive from a distinct popular cultural context or tradition; indeed, at least in the advanced economies and since the Printing Revolution, awareness of the local fine art tradition has been inescapable, as it diffused through popular prints and other media. Naïve artists are aware of "fine art" conventions such as graphical perspective and compositional conventions, but are unable to fully use them, or choose not to. By contrast, outsider art (art brut) denotes works from a similar context but which have only minimal contact with the mainstream art world.

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Naive art in the context of Shalom Koboshvili

Shalom Koboshvili (1876 – 1941) was a Georgian artist who specialised in drawings and paintings of Jewish life in Georgia. Born to a poor family of Jews in Akhaltsikhe, Koboshvili was originally intended for the Rabbinate, but quit religious training at an early age. His interest in art was discouraged by his family, and he was originally apprenticed as a printer. All his knowledge of art was effectively self-taught. After a varied career (in which around 1910 he is said to have met with the artist Niko Pirosmani) he eventually became in 1937 a watchman at the newly established Jewish Historic-Ethnographic Museum in Tbilisi. His work there apparently inspired him to devote himself to painting and all his surviving work dates from the period 1937–1941, the year of his death.

Koboshvili's work, which is all in a competent but naive style, is entirely devoted to scenes of Jewish life; sometimes painted in oils, sometimes in water colours on paper. There are scenes relating to Jewish marriages, to Jewish festivals (including Sukkot and Yom Kippur), and to scenes of Jewish life in Georgian villages and on Jewish kolkhozes.

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Naive art in the context of Folk art

Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.

The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines."

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Naive art in the context of Tingatinga (painting)

Tingatinga (also spelt Tinga-tinga or Tinga Tinga) is a painting style that originated in East Africa. Tingatinga is one of the most widely represented forms of tourist-oriented paintings in Tanzania, Kenya, and neighbouring countries. The genre is named after its founder, Tanzanian painter Edward Tingatinga. Tinga Tinga also insipired kids animation tales, namely Tinga Tinga Tales.

Tingatinga is traditionally made on masonite, using several layers of bicycle paint, which makes for brilliant and highly saturated colours. Many elements of the style are related to the requirements of the tourist-oriented market; for example, the paintings are usually small so they can be easily transported, and subjects are intended to appeal to Europeans and Americans (e.g. the Big Five and other wild fauna). In this sense, Tingatinga paintings can be considered a form of "airport painting". The drawings themselves can be described as both naïve and caricatural; humour, and sarcasm are often explicit.

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