Nadezhda Udaltsova in the context of "Russian avant-garde"

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⭐ Core Definition: Nadezhda Udaltsova

Nadezhda Andreevna Udaltsova (Russian: Наде́жда Андре́евна Удальцо́ва, 29 December 1885 – 25 January 1961) was a Russian avant-garde artist (Cubist, Suprematist), painter and teacher.

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Nadezhda Udaltsova in the context of Suprematism

Suprematism (Russian: супремати́зм) is an early 20th-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on the figurative depiction of real-life subjects.

Founded by Russian artist Kazimir Malevich in 1913, Supremus (Russian: Супремус) conceived of the artist as liberated from everything that predetermined the ideal structure of life and art. Projecting that vision onto Cubism, which Malevich admired for its ability to deconstruct art, and in the process change its reference points of art, he led a group of Russian avant-garde artists—including Aleksandra Ekster, Liubov Popova, Olga Rozanova, Ivan Kliun, Ivan Puni, Nadezhda Udaltsova, Nina Genke-Meller, Ksenia Boguslavskaya and others—in what has been described as the first attempt to independently found a Russian avant-garde movement, seceding from the trajectory of prior Russian art history.

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