Mystical in the context of "Conceptions of god"

Rosmersholm (pronounced [ˈrɔ̀sməʂˌhɔɫm]) is an 1886 play written by Norwegian playwright Henrik Ibsen. It tells the story of Johannes Rosmer, an aristocratic former clergyman and owner of the Rosmersholm manor who is haunted by his wife's suicide and his own idealistic desires for societal reform, and Rebecca West, a strong-willed companion who challenges his convictions, leading to a deep exploration of morality, political activism, and the struggle for personal and social change amidst a backdrop of intense personal and political turmoil. Rosmersholm has been described as one of Ibsen's darkest, most complex, subtle, beautiful, mystical, multilayered and ambiguous plays. The play explores the tension between old and new, between liberation and servitude, between narratives, action or inaction, and of "what to do with ourselves when the world collapses around us." Rosmersholm and The Wild Duck are "often to be observed in the critics' estimates vying with each other as rivals for the top place among Ibsen's works."

Ibsen scholar Jon Nygaard writes that the loss of joy of life is an underlying theme of several of Ibsen's plays, including Rosmersholm, in which "the spirit of the dead and the aristocracy of officials [lingers heavily] over the manor [and] the Rosmerian view of life ennobles man – but it kills happiness". A key theme in Rosmersholm and other plays was, according to Nygaard, "the joy of life that was lost – and the new Puritan Civil Servant State that was coming. It was the spirit of civil servants from Upper Telemark, the Paus family."

The church invisible, invisible church, mystical church or church mystical, is a Christian theological concept of an "invisible" Christian Church of the elect who are known only to those who are Christian followers of the gospel of Jesus Christ and genuinely saved, in contrast to the "visible church"—that is, the institutional body on earth which preaches the gospel and administers the sacraments. Every member of the invisible church is "saved", while the visible church contains all individuals who are saved though also having some who are "unsaved". According to this view, Bible passages such as Matthew 7:21–27, Matthew 13:24–30, and Matthew 24:29–51 speak about this distinction.

Conceptions of God in classical theist, monotheist, pantheist, and panentheist traditions – or of the supreme deity in henotheistic religions – can extend to various levels of abstraction:

• as a powerful, personal, supernatural being, or as the deification of an esoteric, mystical or philosophical entity or category;
• as the "Ultimate", the summum bonum, the "Absolute Infinite", the "Transcendent", or Existence or Being itself;
• as the ground of being, the monistic substrate, that which we cannot understand; and so on.

The first recordings that survive of monotheistic conceptions of God, borne out of henotheism and (mostly in Eastern religions) monism, are from the Hellenistic period. Of the many objects and entities that religions and other belief systems across the ages have labeled as divine, the one criterion they share is their acknowledgment as divine by a group or groups of human beings.

Hermeticism, or Hermetism, is a philosophical and religious tradition rooted in the teachings attributed to Hermes Trismegistus, a syncretic figure combining elements of the Greek god Hermes and the Egyptian god Thoth. This system encompasses a wide range of esoteric knowledge, including aspects of alchemy, astrology, and theurgy, and has significantly influenced various mystical and occult traditions throughout history. The writings attributed to Hermes Trismegistus, often referred to as the Hermetica, were produced over a period spanning many centuries (c. 300 BCE – 1200 CE) and may be very different in content and scope.

One particular form of Hermetic teaching is the religio-philosophical system found in a specific subgroup of Hermetic writings known as the 'religio-philosophical' Hermetica. The most famous of these are the Corpus Hermeticum, a collection of seventeen Greek treatises written between approximately 100 and 300 CE, and the Asclepius, a treatise from the same period, mainly surviving in a Latin translation. This specific historical form of Hermetic philosophy is sometimes more narrowly referred to as Hermetism, to distinguish it from other philosophies inspired by Hermetic writings of different periods and natures.

The Charyapada is a collection of mystical poems, songs of realization in the Vajrayāna tradition of Buddhism from the tāntric tradition in Assam, Bengal, Bihar and Odisha.

It was compiled between the 8th and 12th centuries in late Apabhraṃśa or various Abahaṭ‌ṭha dialects, representing the formative stage of the Eastern Indo-Aryan languages. It was written during a period when the northeastern Prākrit languages had not yet differentiated into later forms, or they were just getting differentiated. Scholars of many eastern Indo-Aryan languages, such as Assamese, Bengali, Maithili, and Odia find features of these languages in the language of this work. A palm-leaf manuscript of the Charyāpada was rediscovered in the early 20th century by Haraprasād Shāstrī at the Nepal Royal Court Library. The Charyāpada was also preserved in the Tibetan Buddhist canon.