Myrina (Mysia) in the context of "Aliağa"

The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is difficult to determine the exact point at which dance became part of human culture. Dance is filled with aesthetic values, making it distinct from one society to another. It is filled with symbolism that expounds on the cultural heritage of a community, each style being unique from one another. Dance can help tell a story, convey feelings and emotions, and connect with others and ourselves.

The Tanagra figurines are a mold-cast type of Greek terracotta figurines produced from the later fourth century BC, named after the Boeotian town of Tanagra, where many were excavated and which has given its name to the whole class. However, they were produced in many cities. They were coated with a liquid white slip before firing and were sometimes painted afterward in naturalistic tints with watercolors, such as the famous "Dame en Bleu" ("Lady in Blue") at the Louvre. They were widely exported around the ancient Greek world. Such figures were made in many other Mediterranean sites, including Alexandria, Tarentum in Magna Graecia, Centuripe in Sicily and Myrina in Mysia.

Although not portraits, Tanagra figures depict real women—and some men and boys—in elegant but everyday costume, with familiar accessories like hats, wreaths or fans. Some character pieces may have represented stock figures from the New Comedy of Menander and other writers. Others continued an earlier tradition of molded terracotta figures used as cult images or votive objects. Typically they are about 10 to 20 centimetres high.