Musical theater in the context of "Jerry Bock"

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Musical theater in the context of Of Thee I Sing

Of Thee I Sing is a musical with a score by George Gershwin, lyrics by Ira Gershwin and a book by George S. Kaufman and Morrie Ryskind. The musical lampoons American politics; the story concerns John P. Wintergreen, who runs for President of the United States on the "love" platform. When he falls in love with the sensible Mary Turner instead of Diana Devereaux, the beautiful pageant winner selected for him, he gets into political hot water.

The original Broadway production, directed by Kaufman, opened in 1931 and ran for 441 performances, gaining critical and box office success. It has been revived twice on Broadway and in concert stagings in the U.S. and in London. In 1932, Of Thee I Sing was the first musical to win the Pulitzer Prize for Drama.

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Musical theater in the context of Oklahoma!

Oklahoma! is the first musical written by the duo of Rodgers and Hammerstein. The musical is based on Lynn Riggs's 1931 play, Green Grow the Lilacs. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancée, Ado Annie.

The original Broadway production opened on March 31, 1943. It was a box office hit and ran for an unprecedented 2,212 performances, later enjoying award-winning revivals, national tours, foreign productions and an Oscar-winning 1955 film adaptation. It has long been a popular choice for school and community productions. Rodgers and Hammerstein won a special Pulitzer Prize for Oklahoma! in 1944.

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Musical theater in the context of Hamilton (musical)

Hamilton: An American Musical is a sung-and-rapped-through biographical musical with music, lyrics, and a book by Lin-Manuel Miranda. Based on the 2004 biography Alexander Hamilton by Ron Chernow, the musical covers the life of American Founding Father Alexander Hamilton and his involvement in the American Revolution and the political history of the early United States. Composed from 2008 to 2015, the music draws heavily from hip hop, as well as R&B, pop, soul, and traditional-style show tunes. It casts non-white actors as the Founding Fathers of the United States and other historical figures. Miranda described Hamilton as about "America then, as told by America now".

From its opening, Hamilton received near-universal acclaim. It premiered off-Broadway on February 17, 2015, at the Public Theater in Lower Manhattan, with Miranda playing the role of Alexander Hamilton, where its several-month engagement was sold out. The musical won eight Drama Desk Awards, including Outstanding Musical. It then transferred to the Richard Rodgers Theatre on Broadway, opening on August 6, 2015, where it received uniformly positive reviews and high box office sales. At the 70th Tony Awards, Hamilton received a record-breaking 16 nominations and won 11 awards, including Best Musical. It received the 2016 Pulitzer Prize for Drama. In 2020, a filmed version of the Broadway production was released on Disney+, followed by a theatrical release in 2025 by Walt Disney Pictures.

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Musical theater in the context of Backup vocals

A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles.

Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts. In many rock and metal bands (e.g., the power trio), the musicians doing backing vocals also play instruments, such as guitar, electric bass or keyboards. In Latin or Afro-Cuban groups, backing singers may play percussion instruments or shakers while singing. In some pop and hip-hop groups and in musical theater, they may be required to perform dance routines while singing through headset microphones.

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Musical theater in the context of Musical film

Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

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Musical theater in the context of Eugene Louis Faccuito

Eugene Louis Faccuito (March 20, 1925 – April 7, 2015), known professionally as Luigi, was an American jazz dancer, choreographer, teacher, and innovator who created the jazz exercise technique. The Luigi Warm Up Technique is a training program that promotes body alignment, balance, core strength, and "feeling from the inside". It is also used for rehabilitation. This method became the world's first standard technique for teaching jazz and musical theater dance.

Faccuito developed the technique, which consists of a series of ballet-based exercises, for his rehabilitation after suffering paralyzing injuries in a car accident at the age of 21. He couldn't stop dancing, so he first learned to regain control of his body by what he uses as a cornerstone of his technique – namely, to "lengthen and stretch the body without strain" and "put the good side into the bad side". He then focused on a way "to stabilize himself – as if he were pressing down on an invisible (dance) barre". He went on to have a successful dance career and became a world-renowned jazz teacher.

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Musical theater in the context of Patti LuPone

Patti Ann LuPone (born April 21, 1949) is an American actress and singer. After starting her professional career with The Acting Company in 1972, she soon gained acclaim for her leading performances on the Broadway and West End stage. Known for playing bold, resilient women in musical theater, she has received numerous accolades, including three Tony Awards, two Olivier Awards, and two Grammy Awards. She was inducted to the American Theater Hall of Fame in 2006.

She made her Broadway debut in Three Sisters in 1973. She went on to receive three Tony Awards: two for Best Actress in a Musical for her roles as Eva Perón in Tim Rice and Andrew Lloyd Webber's Evita (1980), and Rose in Gypsy (2008) and one for Best Featured Actress in a Musical for playing Joanne in the Stephen Sondheim revival Company (2022). She was Tony-nominated for The Robber Bridegroom (1975), Anything Goes (1988), Sweeney Todd: The Demon Barber of Fleet Street (2006), Women on the Verge of a Nervous Breakdown (2010), and War Paint (2017).

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Musical theater in the context of Jerome Moross

Jerome Moross (August 1, 1913 – July 25, 1983) was an American composer best known for his music for film and television. He also composed works for symphony orchestras, chamber ensembles, soloists and musical theater, as well as orchestrating scores for other composers.

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Musical theater in the context of George Gershwin

George Gershwin (/ˈɡɜːrʃ.wɪn/; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular and classical music. Among his best-known works are the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930) and the opera Porgy and Bess (1935), which included the hit "Summertime". His Of Thee I Sing (1931) was the first musical to win the Pulitzer Prize for Drama.

Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inquired about studying with him. He subsequently composed An American in Paris, returned to New York City and wrote Porgy and Bess with Ira and DuBose Heyward. Initially a commercial failure, it came to be considered one of the most important American operas of the 20th century and an American cultural classic.

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