Musical instruments in the context of "Music conservatory"

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⭐ Core Definition: Musical instruments

A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist.

The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies.

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Musical instruments in the context of Hornbostel–Sachs

Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs. This system was first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961, which is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.

Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument. From this basis, Hornbostel and Sachs expanded Mahillon's system to make it possible to classify any instrument from any culture.

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Musical instruments in the context of Organology

Organology (/ˌɔːrɡəˈnɒləi/; from Ancient Greek ὄργανον organon 'instrument' and λόγος logos 'the study of') is the science of musical instruments and their classifications. It embraces study of instruments' history, instruments used in different cultures, technical aspects of how instruments produce sound, and musical instrument classification. There is a degree of overlap between organology, ethnomusicology (being subsets of musicology) and the branch of the science of acoustics devoted to musical instruments.

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Musical instruments in the context of Drum

The drum is a member of the percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.

Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Many drums are played together with other instruments.

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Musical instruments in the context of Music school

A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire (/kənˈsɜːrvətwɑːr/ kən-SER-və-twar, French: [kɔ̃sɛʁvatwaʁ]). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory.

Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called núcleos.

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Musical instruments in the context of Vocal music

Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music (e.g. the wordless women's choir in the final movement of Holst's symphonic work The Planets) as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.

Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia, such as jazz scat singing. A short piece of vocal music with lyrics is broadly termed a song, although in different styles of music, it may be called an aria or hymn.

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Musical instruments in the context of Acousmatic music

Acousmatic music (from Greek ἄκουσμα akousma, "a thing heard") is a form of electroacoustic music that is specifically composed for presentation using speakers, as opposed to a live performance. It stems from a compositional tradition that dates back to the origins of musique concrète in the late 1940s. Unlike acoustic or electroacoustic musical works that are realized from scores, compositions that are purely acousmatic (in listening terms) often exist solely as fixed media audio recordings.

The compositional practice of acousmatic music features acousmatic sound, sound which is heard but not seen, as a central musical aspect. Other aspects traditionally thought of as 'musical' such as melody, harmony, rhythm, metre may be present but more often consideration is given to sound-based characteristics such as timbre and spectrum. Compositional materials can include sounds derived from musical instruments, voice, electronically generated sound, or sounds employing audio signal processing, as well as general sound effects and field recordings.

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Musical instruments in the context of Bengaluru Pete

Bengaluru Pete is the area of Bengaluru city which was established by Kempegowda I (c. 1510–1570) in 1537 with roads laid out in the cardinal directions, and entrance gates at the end of each road. Kempegowda also termed the Pete he built as his "gandu bhoomi" or "Land of Heroes". Pete (Kannada: Market centre) forms a well–defined body of markets which were associated with various trades and professions of the populace in the locality markets and given the names of trades pursued in such markets. The well known markets are the Tharagupete–market for grains, the Balepete – for Bangles and musical instruments, the Chikkapete and the Nagarthpete for textile trade, the Ballapurpete and the Ganigarapete market where oil is extracted by people of the Ganiga community, the Tigalarapete–flower market of gardeners, the Cubbonpete – textile manufacture by people of the Devanga community.

The Bengaluru Pete, established in 1537 around the Mud Fort, built by Kempe Gowda I as the nucleus, with an area of 2.24 square kilometres (1 sq mi), has expanded to the present sprawling city of 741 square kilometres (286 sq mi) embracing a multi ethnic population of 5.7 million; as per Census of India 2001, the present population is reported as 6.6 million (2007) and is thus known by the epithet "the Boom city". The other nicknames of the city also reflect the growth direction of the city, such as the Silicon Valley of India, the "Fashion Capital of India," and "The Pub City of India."

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Musical instruments in the context of Loud music

Loud music is music that is played at a high volume, often to the point where it disturbs others and causes hearing damage. It may include music that is sung live, played with musical instruments, or with electronic media, such as Radio broadcasting, CD, MP3 players or even on phones and streaming services.

Playing loud music that can be heard by others in nearby properties is considered rude by many societies in many settings, and may result in loss of respect and legal action under the nuisance ordinance. In certain contained settings, such as nightclubs or concerts, music is often played very loudly, but is viewed as acceptable. Headphones allow loud music to be enjoyed without annoying neighbors, though leakage is an issue with headphones, and the listener will still get hearing damage.

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Musical instruments in the context of Muscle memory

Muscle memory is a form of procedural memory that involves consolidating a specific motor task into memory through repetition, which has been used synonymously with motor learning. When a movement is repeated over time, the brain creates a long-term muscle memory for that task, eventually allowing it to be performed with little to no conscious effort. This process decreases the need for attention and creates maximum efficiency within the motor and memory systems. Muscle memory is found in many everyday activities that become automatic and improve with practice, such as riding bikes, driving motor vehicles, playing ball sports, musical instruments, and poker, typing on keyboards, entering PINs, performing martial arts, swimming, dancing, and drawing.

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