Music of Spain in the context of Tomás Luis de Victoria

The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument.

Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Balkan folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Spanish folk music, Persian music, samba, gospel music, pop music, country music, and rock music.

Latin music (Portuguese and Spanish: música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America, which encompasses Latin America, Spain, Portugal, and the Latino population in Canada and the United States, as well as music that is sung in either Spanish or Portuguese. It may also include music from other territories where Spanish- and Portuguese-language music is made.

"Macarena" is a song by Spanish pop duo Los del Río, originally recorded for their 1993 album A mí me gusta. A dance remix by the electropop group Fangoria was a success in Spain, and a soundalike cover version by Los del Mar became popular in Canada. Another remix by Miami-based producers the Bayside Boys, who added a section with English lyrics, expanded its popularity, initially peaking at No. 45 on the US Billboard Hot 100 in late 1995.

The Bayside Boys mix enjoyed a significant revival the following year when it re-entered the Billboard Hot 100 and reached No. 1 for 14 weeks between August and November 1996. Its resurgence was aided by a dance craze that became a cultural phenomenon throughout the latter half of 1996 and early 1997. The song got the group ranked the "No. 1 Greatest One-Hit Wonder of All Time" by VH1 in 2002. In 2012, it was ranked No. 7 on Billboard's All Time Top 100. It also ranked at No. 7 on Billboard's All Time Latin Songs list. In 2023, Billboard ranked "Macarena" number 500 in their list of Best Pop Songs of All Time.

The culture of Spain is influenced by its Western origin, its interaction with other cultures in Europe, its historically Catholic religious tradition, and the varied national and regional identities within the country. It encompasses literature, music, visual arts, cuisine as well as contemporary customs, beliefs, institutions, and social norms. Beyond Spain, Spanish culture is a major component of most Latin American cultures and an important influence on Filipino culture.

The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz.

Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album 'Round About Midnight in 1955. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music–influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.